The being then becomes a monster both externally and internally, ultimately confirming society's previously groundless expectations. The monster moves from one horrid act to another, indulging in evil. First, he kills William. Then he frames Justine as the murderer and she is hanged for his crime.
The Monster turns to evil after being cast out from his "family." Frankenstein has caused evil, in part, because, "In his obsession, Frankenstein has cut himself off from his family and from the human community; in his reaction to that obsession, Frankenstein cuts himself off from his creation" (Levine 92).
Unlike Frankenstein, the Monster changes over the course of the novel. He comes to see the error of his ways and express remorse for his actions. Also unlike Frankenstein, who dies still pursuing his goal of destroying the Monster, the Monster dies because he can't live with who he is and what he has done.
After leaving his creator, the creature goes on to kill Victor's best friend, Henry Clerval, and later kills Frankenstein's bride, Elizabeth Lavenza, on their wedding night, whereupon Frankenstein's father dies of grief.
In the novel, the villain is Victor Frankenstein with no doubt. He tried to play God by creating a creature and then left it on its own. Being ambitious is commendable, but being over ambitious is reprehensible. Frankenstein was extreme with regard to his passion and ambition.
When the creature comes to life, Frankenstein is so afraid of him that he abandons him, thus forcing the creature to learn about the world on his own. The creature feels deeply betrayed by his creator and ends up trying to get revenge on him.
The Monster hates Frankenstein for abandoning him after his creation: “He had abandoned me: and, in the bitterness of my heart, I cursed him.” The Monster is also angry with Frankenstein for making the Monster the only one of his kind: “I was dependent on none and related to none.” The Monster also feels hatred and ...
Yet while Frankenstein and the creature both have some monstrous traits, Frankenstein is the true hero. Shelley positions him as the proverbial protagonist, manipulating our emotions so that we empathize with him, and he changes and grows from selfishness to selflessness.
I have myself been blasted in these hopes, yet another may succeed. These are Frankenstein's last words. Throughout his conversations with Walton, he has warned Walton about the dangers of ambition, but at the last moment he takes his warning back.
Pierce's decision to paint Karloff's skin a greyish green was a conscious choice to play on these limitations, distinguishing the monster from the rest of the cast by giving him a skin color that would be captured as a ghostly white on film.
In the novel he is never given a specific name, that's why he is just called “the creature”, “the monster”, “Frankenstein's creature” or “Frankenstein's monster”, some argue that he dubbed himself “Adam” and recognized himself as Victor's son making him Adam Frankenstein, but even that is spurious, he does not get the ...
The monster then sneaks on board, gives an eloquent soliloquy about his sorrow and leaps off the ship onto an ice floe — gone to find himself some wood and burn himself alive. Walton watches him until he was “borne away by the waves and lost in darkness and distance.” Also, Walton's expedition is a total failure.
Moreover, he subsides entirely on vegetation until he is chased by Victor and forced to kill to keep him alive. Without the influence of human society, the creature would remain as innocent as he was at conception. Therefore, he is not truly a monster.
In Mary Shelley's 1818 novel, Victor Frankenstein destroyed his female creature to prevent the rise of a 'race of devils. ' Nearly 200 years later, population ecologists say Dr. Frankenstein's actions were justified.
Frankenstein's Monster is arguably considered one of the most tragic villains in history, as he was shunned since the very first moment he came to life, ostracized and rejected despite his good intentions, was repeatedly deprived of love and affection, and he became murderous solely to avenge his misery, but he ...
The Monster, by nature, is liminal, he is made up of human parts, but his conception is man-made and artificial, and as such he is never accepted by society. The character's own understanding of this grows as he is repeatedly rejected and victimised even by those he seeks to help, such as the DeLaceys.
Weaknesses. Vulnerability to Electricity: Frankenstein can be "shut down" if hit with an electrical jolt of the same voltage and frequency as the jolt which first animated him.
Quick answer: In Frankenstein, the monster cries when Victor dies because he regrets what he has done to Victor. And without Victor, the monster has lost all reason to keep living. In this moment, he cries partly out of remorse and partly out of despair for himself.
It's by no fault of Mary Shelley's that the only quote we all seem to remember from her classic 1818 text Frankenstein is, "It's alive!" The timeless horror story she penned of a man-made monster racked with conflicting emotions of his own making has reached icon status over the past 200 years—and yet, so many of the ...
Why does Frankenstein regret creating the monster?
He is not happy with what he created; he is saddened by the months he spent in isolation. Once the monster starts to murder his loved ones, Victor grows even more depressed. By the novel's end, he realizes his pursuit of knowledge is for nothing. The monster has similar character traits to his creator.
The monster is a stripped-down projection of human essence, and when we hear his story, we realise that he wasn't always an evil murderer of man. He is capable of kindness and generosity, as when he secretly cuts wood for the De Lacey family out of a compassionate wish to lighten their burden.
This “monster” is the supposed murdered of several characters throughout the book and is presumably the main antagonist. However, the actions of Victor Frankenstein suggest that the monster is in fact Victor himself. Victor is the only person who sees the monster.
What makes Victor Frankenstein so compelling is how very human he is. He's not the dark villain foolishly playing with the forces of life and death. He is a good, but flawed, human being, who unwittingly unleashes destruction, the perfect example of the tragic hero.
