It's one of the few movies in which the actresses cast were older than their characters. Geena Davis was thirty-four and Susan Sarandon forty-four when they landed the roles.
It's been decades since Thelma and Louise first embarked on a road trip in a 1966 Thunderbird. Ridley Scott's iconic film, starring Susan Sarandon and Geena Davis, hit theaters on May 24, 1991, and has since been considered a feminist landmark.
The movie Thelma and Louise was filmed in the states of Utah and California. Throughout the film, the women are driving from Arkansas to the Grand Canyon. Most of the filming for the movie was done in and around Moab, Utah, and Bakersfield, California.
Thelma & Louise premiered in the Cannes Film Festival on May 20, 1991, before being released theatrically in the United States on May 24. It later became a critical and commercial success, receiving six Academy Award nominations and winning for Best Original Screenplay.
Thelma & Louise was nominated for six Academy Awards and won best screenplay, a prize that went to Nashville creator Callie Khouri. The film ranks No. 24 and No. 78 on the American Film Institute's lists of the top movie heroes and the most inspiring films of all time, respectively.
Thelma & Louise Reunion: Susan Sarandon & Geena Davis On The Film's Legacy | Entertainment Weekly
How old was Geena Davis in Thelma and Louise?
Geena Davis was thirty-four and Susan Sarandon forty-four when they landed the roles. In Callie's mind, the women were the same age, friends from high school, and definitely not in their forties. Thelma & Louise, Susan Sarandon, Geena Davis, 1991.
Thelma is 2011 Filipino inspirational family-drama film, released by Star Cinema with Maja Salvador portraying the title-role. The film is directed by Paul Soriano and is inspired by true stories. The film premiered on September 7, 2011 and received an "A" rating from the Cinema Evaluation Board.
Where is the cliff that Thelma and Louise drive off?
🚨 Spoiler alert 🚨 that cliff where Louise stated, “I think it's the Grand Canyon.” – it's not, it's Dead Horse Point State Park. That infamous final shot of the Thunderbird flying through the air was also the final scene to shoot before production wrapped.
Why did Thelma and Louise drive off cliff at end of movie?
After an intense police chase through the desert, Thelma and Louise choose to drive their '66 Thunderbird off of a cliff rather than being caught by the police.
'” Mirroring Khouri's approach to the movie's final scene, Sarandon revealed that her improvisation of Louise and Thelma's farewell kiss was all intuition. “I just felt by that time that they were finishing each other's sentences and that they loved each other and this was a big moment and the sun was going down.
Thelma & Louise cemented Scott's reputation as a Hollywood heavyweight who could grapple with feminist themes. You can see his touch in the film's visual splendour, including those endless desert landscapes and the “army” that surrounds our heroines in the finale.
Susan Sarandon and Geena Davis drove this piece of American history during the entire movie, even to the very end when they drove off into the Grand Canyon. Documentation from MGM Movies with Letters of Authenticity, pictures of Brad Pitt signing the rear seat arm rest, and Geena Davis signing the sun visor.
Thelma feels that what happened was not their fault, and she wants to go to the police, but Louise is convinced that nobody will believe her side of the story and will charge her with homicide, particularly since Harlan wasn't threatening them any longer when she shot him.
With no other options, Thelma and Louise decide to "keep going" and drive off the edge of the cliff, ending the movie with a shot of the car in mid-air. Callie Khouri penned the script for Thelma & Louise, basing some of the dynamics between Thelma and Louise on her own friendship with country music star Pam Tillis.
It's clear from the first conversation that Thelma and Louise are the best of friends with a deep, abiding connection. They're both in unfulfilling relationships with men who are mediocre at best, complete garbage at worst.
The way that Thelma presents it is, “Let's not get caught. Let's keep going.” That, I think, is what makes the scene so iconic. Not just the great launch off the edge, but the way she declares what it should mean to them.
In short, Thelma and Louise become outlaws the moment they seize control of their bodies. Theirs is a crime of self-defence, their bandit identities forced on them by a gendered lack of freedom, their journey grounded in the politics of the body.
Thelma wants to go to the police, but Louise fears no one will believe Thelma's claim of attempted rape and they will be charged with murder. They go on the run, but Louise demands they travel from Oklahoma to Mexico without going through Texas.
We never get it spelled out that Louise was raped; it is implied through lines of dialogue that she was also raped and went through a gruesome trial in Texas. This is why, throughout the film, she never wants to go back.
While undergoing a brain tomography test to find the cause of her seizures, she begins to think about Anja and as she focuses on her, Thelma's power is set in motion and she unconsciously and unwittingly makes Anja vanish into empty space.
Louise finds a crazed Harlan and a battered Thelma in the parking lot. She points a gun at Harlan's head and gets Thelma to safety. After an aggressive verbal exchange, she totally shoots the nasty dude in the chest. Thelma and Louise hit the road and shakily try to figure out what they're going to do.
Two best friends set out on an adventure, but it soon turns around to a terrifying escape from being hunted by the police, as these two girls escape for the crimes they committed.
The movie "Thelma & Louise" (released May 24, 1991 in the United States) was one of the first to star two females in the lead roles: Thelma, played by then 34-year-old Geena Davis, and Susan Sarandon (then 44) as Louise.
The movie “Thelma and Louise” represents several social issues, such as feminism and women's control over their lives and bodies. It realistically portrays two female protagonists without referring to the images of traditional femininity.
