The ending of The Shining, particularly the photo of Jack in the 1921 ballroom, suggests that Jack is a reincarnation of a former hotel employee, although this explanation is not explicitly stated in the film. The Shining explores themes of cyclical violence and abuse, and Kubrick's film is full...
This scene has been interpreted in many ways, and one of the most popular explanations is that it represents the hotel “absorbing” Jack's soul. Although this makes sense, Kubrick himself has said the photo actually suggests Jack being a reincarnation of an earlier official at the hotel.
What does the painting at the end of The Shining mean?
It is also a very commonly asked question: https://screenrant.com/shining-movie-ending-meaning-photo-book-explained/ Kubrick himself has said the photo actually suggests Jack being a reincarnation of an earlier official at the hotel.
What was the point of the furry scene in The Shining?
As far as what some of the fan theories are about the bear scene, some say it's one of the many clues behind the true relationship between Danny and his father. The imagery of the bear suggests that the animal is symbolic of Jack's predatory control over his family and the sexual abuse of his son.
In fact, Jack is not so much posing as Baphomet , but Washington. Is Kubrick using Jack to allude to Washington, alluding to the original sin that white people have accumulated over the years on this American soil. Another point to corroborate my guess is the time on the photo.
What Does THE SHINING's Final Image Actually Mean?
Why did Jack lose his sanity in The Shining?
Soon, after a winter storm leaves the family snowbound, the supernatural forces inhabiting the hotel influence Jack's sanity, leaving his wife and son in grave danger.
Moments later, he would improvise the “Here's Johnny!” line, which was a reference to the intro of The Tonight Show Starring Johnny Carson. Interestingly, Kubrick originally shot the scene with a fake door, but Nicholson – who once trained as a fire marshal – chopped it down too quickly.
In the book, the man dressed in a suit is actually Horace Derwent, the mysterious owner of the Overlook Hotel, and the man in the costume (which is a dog in the book) is Roger, a one-time lover of his. The novel provides Roger and Horace's story as an example of atrocities that have happened in the hotel.
The second and most likely, suggests that the film represents genocide of Native Americans. When the hotel manager gives the Torrance family a tour, he mentions that the Overlook sits atop an Indian burial ground.
Jack becomes obsessed enough with the hotel's sordid past that he wants to write a book about it. He makes a long-distance call to the hotel's manager, Stuart Ullmann, and antagonizes him with this knowledge. Eventually, he goes mad thanks to the influence of the hotel's ghosts and attempts to kill Wendy and Danny.
It's also why we are shown the rotting woman rising out of the bath tub – it's a parallel of Jack being woken up in bed. As with any severe trauma, Danny would have gone into shock and repressed the painful experience with amnesia.
In it, Blakemore claims that the film serves as a metaphor for the killing of Native Americans. His theory has some decent support behind it, and it is one of the few that make the most sense. One aspect of the film that wasn't present in the book was that the Overlook was built upon a Native American burial ground.
The less well known meaning is that the blood spilling from the elevator is a reference to the River of Blood in Dante's Inferno: Phlegethon. Kubrick makes a number of subtle references to the Inferno. Phlegethon is in the Seventh Circle of Hell.
In the novel, Danny is the Overlook's primary victim, and Jack Torrance is simply used as a conduit to get to Danny. The hotel wants Danny dead so that it can absorb his “shining” ability to add to the Overlook's plethora of dark energies, so it possesses Jack in his vulnerable state to try to kill Danny.
After a corpse tries to strangle Danny in the infamous room 217 and Wendy and Jack see the resulting bruise on their son's neck, Wendy accuses Jack of abusing Danny.
Why was the dad in the picture at the end of The Shining?
The ending of The Shining, particularly the photo of Jack in the 1921 ballroom, suggests that Jack is a reincarnation of a former hotel employee, although this explanation is not explicitly stated in the film.
This suggests that Jack has not only become part of the hotel's history but is destined to repeat his malevolent actions and mental decline over and over again. That decline itself is also central to the narrative of the film, and Jack's appearance in the photograph symbolises his loss of identity.
What happened to the little boy who played Danny in The Shining?
Where did he disappear to? “I once read that I had six kids and was a pig farmer,” he says, chuckling on the phone from his home. “That's not entirely accurate.” For the record, Lloyd – who goes by Dan rather than Danny these days – is a biology professor at a community college in Kentucky.
It's made very clear from the beginning that he was a drunk and a violent husband and father. He seems to go to the closed down hotel in hopes to get sober, since there's no booze at the hotel when it's closed. However.. We also see how cold he treats his family during the ride up to the hotel.
Jack tells Danny to run and remember how much he loves him, before the hotel's power takes over again and forces Jack to bash in his own face with the mallet. Jack had forgotten to dump the boiler, which grows too hot and causes the hotel to explode. Jack is killed, but Danny, Wendy and Hallorann get out just in time.
