Peele uses the symbolism of Chris falling into the couch into what seems like an infinite space, called the Sunken Place, a metaphor for the history of slavery.
Because Froot Loops are colorful and milk is white, the separation of the two seemingly symbolizes the American Segregation era when people of color were forced to use different public amenities than white people.
did you know in the movie get out they actually used practical as well as cgi effects for the sunken. place when they were not using cgi actor daniel kaluya who played chris was actually hooked up to wires hanging in the air. they put an all-black background behind him and the actor was just.
The film was made to show the audience what racially motivated anxiety of being a black person feels like . It shows what goes through the mind a black person in an interracial relationship meeting their significant other for the first time. You have to ask your parent a question which shouldn't really matter but does.
Like all of Peele's films, Get Out is deeply metaphorical. The Sunken Place serves as a metaphor for the underlying bigotry that exists to this day. Many white liberals view befriending Black men as a commodity (like the ones literally sold by the Order of the Coagula), but without giving them any agency.
Get Out (2017) - The Sunken Place Scene (1/10) | Movieclips
What do the rabbits symbolize in Get Out?
In the beginning the rabbits were locked up in cages, symbolizing the loss of free will and movement. When Adelaide was switched, Red had more control of her body as she was from the surface. Since she had control she was able to free the rabbits from their cages.
For example, that Missy's use of tea cups to hypnotize her victims represents the long history of European colonialism tied to the tea trade. Or that the cotton Chris crucially notices sticking out of a hole in his chair in the finale is a visual reference to the Old South's use of slave labor for picking cotton.
The scariest scenes in Get Out are the ones that recall shocking realities. Jordan Peele uses cross-cutting masterfully during the auction scene, as he cuts between Chris and Rose saying, “I love you,” for the first time, and the Armitages auctioning off Chris' body.
Another thing no one saw, but he was also wearing loafers, which we painted with little red pennies. Red was a very important color in the film because it is symbolic of secret societies.
When the flash goes off in Logan's face his demeanor changes. Physical symptoms manifest which include a nose bleed, fear in his eyes and lunging at Chris saying "Get out". Initially, this perception of this is interpreted as aggression, but later he learns that Logan was actually warning him.
Earlier, Missy—a therapist—had offered to hypnotize Chris to cure him of his nicotine cravings. It's clear, both to Chris and to the viewer, that a trap is being sprung.
Jordan Peele, the director and writer of Get Out, shares how the Sunken Place is something that exists “for any marginalized group that gets told not to say what they're experiencing. It's the system. It's all these cogs in the wheel that sort of keep us where we are. The Sunken Place is the silencing.
It is also a metaphor for that 'out of sight, out of mind' mentality that's beholden on everyone, where familiar anecdotes become 'swept aside' excuses for not confronting real world issues.
In the movie Get Out, director/producer, Jordan Peele introduces a metaphor for the besieged consciousness of the African American. Peele terms this state of consciousness as the "The Sunken Place." Peele states, "The sunken place means we're marginalized.
First, the separation of the milk and Froot Loops belies Rose's beliefs in the segregation of people by skin tone. She is figuratively separating white people from people of color by literally refusing to mix the white milk and the colored Froot Loops.
Rose initially panics, but starts smiling evilly, presumably because that her racist beliefs about black people would be right, as Chris would end up acting like a beast. Chris, either now unwilling or too exhausted to kill his former girlfriend, stops strangling her.
The deer killed by Rose at the beginning of the film foreshadows the fact that Chris in danger set to meet his end. The deer offers commentary about race and resistance in other ways. The biggest indicator that the deer means something more is most apparent when Chris first meets Rose's father, Dean.
We see this idea pop up throughout the film as the tethered begin holding hands in Santa Cruz and eventually (what seems like) the entire country. For those of you who didn't grow up in the 1980s, Hands Across America was a charity event where people would hold hands… across America.
Another, clearer explanation is that Jason knows about Adelaide's true nature, as he heard the final fight between her and Red. He knows that she's still his mom, but also knows that she may have done something terrible in her past.
Chris catches back up to us very quickly. When he wants a cigarette and realizes that the thought of it makes him sick, he knows he was hypnotized. Dramatic irony here was used to heighten tension. The fact that Chris figures it out quickly, demonstrates that he's a smart guy.
In Get Out, the coagula procedure renders the African American victim powerless. They are forced into a metaphorical version of slavery where white people steal their bodies and use them for their own purposes.
Rose is constantly insinuating that she represents the epitome of a not-racist woman. She believes that she always has the better understanding of interracial relationships than Chris does and that she is able to make the better choices for him because she lives in what she believes to be a post-racial society.
But the flash of the camera wakes us up like the hypnotized Logan, whose real name is Andre, and later Walter, who's long been taken over by Rose's grandfather. Peele intends his movie to be like this flash - not an hypnotic entertainment that lulls us into submission, but a jolt that wakes us up to reality.
