Instead of good vs. evil, the theme became “love vs. fear,” in which Anna represented love and Elsa represented fear — as she was afraid of her own powers and hurting those she loved.
In 'The Snow Queen', the Devil makes a magic mirror which shows people only the bad and ugly aspects of themselves. When the mirror is shattered, splinters get into the eyes and hearts of people around the world, freezing their hearts.
“'Frozen' uses the idea of magic powers as a metaphor for coming of age, a time when feelings are raw, unpredictable, terrifying and new,” writes Britt Hayes at ScreenCrush.
Be Bold. Perhaps the most obvious message in Frozen is that it's good to be courageous. Elsa fleeing her home to live on her own was bold; Anna following her was even more so. Having a feisty streak can be a very good thing!
FROZEN is an original story, loosely based on Hans Christian Andersen's “The Snow Queen.” Published in 1845, “The Snow Queen” begins when a magic mirror created by trolls shatters, causing pieces of it to lodge in the heart and eye of a boy named Kai.
Hidden Meaning in Disney's Frozen - Earthling Cinema
Was Elsa originally evil in Frozen?
Elsa from Frozen was originally intended to be an evil queen with an army of snow monsters. That's according to the animated film's producer Peter Del Vecho, who says they completely re-wrote the ending. "When we started off, Anna and Elsa were not sisters," he told EW. "They weren't even royal.
Created by co-writers and directors Chris Buck and Jennifer Lee, Elsa is loosely based on the title character of "The Snow Queen", a Danish fairy tale by Hans Christian Andersen.
Although Elsa's disability is encoded as a magical ice power, the language the film uses to talk about her condition maps on to the experiences of people with physical, mental, and intellectual disabilities in recognizable ways.
Strong and independent. Alongside from Sadness from Disney's Inside Out and Eeyore from the Winnie The Pooh franchise, Elsa is a metaphor for mental health. Ever since she was born, she's always been different while her parents, her sister and her royal subjects are literally powerless.
There's an air of playfulness and adventure surrounding both of them, but that's abruptly cut short when Elsa accidentally hurts Anna with her power one night. The near-fatal injury is one that Anna appears to quickly get over -- but Elsa is never the same afterward.
Due to the bad blood between their people, Iduna kept both her heritage and her rescue of Agnarr in the forest a secret for many years, though she finally confessed everything to him shortly before their deaths.
In "Let It Go," Elsa's powers are described using metaphors that convey her feelings of being out of control. For example, at the beginning of the song, Elsa sings "The wind is howling like this swirling storm inside." Here, the wind is used as a metaphor for the turmoil Elsa feels within herself.
In Frozen, Hans goes from a courtly charmer to a power-hungry villain. According to Hyrum Osmond, one of the supervising animators for Hans, Hans initially appears as a handsome, dashing character. The crew wanted the audience to fall in love with him and the relationship he could have with Anna.
The ice from which the palace is constructed is capable of taking on different colors, such as purple, blue, red and yellow, based on Elsa's emotional state (blue when she is happy or neutral, yellow or amber when she is angry, and red when she is frightened).
Elsa and Anna's parents didn't die by shipwreck where we thought they'd died by shipwreck (always a fun, uncomplicated topic for kids!); they actually died by shipwreck trying to journey to Ahtohallan, the mythical island they believed held the answers to Elsa's powers.
In the movie The Little Mermaid (Clements & Musker, 1989), Ariel displays symptoms of disposophobia, which is defined as the fear of getting rid of things.
Borderline personality disorder can be found in Anna (Kristen Bell). It is termed borderline because it has symptoms of a combination of disorders. She appears to be a bit schizophrenic when she “start[s] talking to the pictures on the walls”.
Rapunzel: Rapunzel has signs of Stockholm Syndrome, a syndrome in which a hostage starts to feel sympathy for their captor. Mother Gothel has kept Rapunzel imprisoned to a tower for the majority of her life, and the two have become close.
Anna's parents rush her to the sacred realm, where discussions with the trolls reveal that Elsa was born with her powers/ depigmentation and deafness, rather than them being due to illness or accident. Grand Pabbie troll heals Anna but removes her memories of Elsa's magic.
Canonically, Elsa of Arendelle, who sits upon the tiny northern kingdom's throne at the end of Frozen, is not queer. Canonically, she is not romantically interested in anybody. And lest you wonder if that description means Elsa is asexual or aromantic, neither of those qualities is canon either.
In a few attention-grabbing works shown here, two of Disney's most prominent characters, Cinderella and Snow White, use a wheelchair, while Pocahontas and Jasmine deal with their own circumstance.
Honeymaren, a member of the Northuldra tribe who was trapped in the Enchanted Forest by the curse, could return for Frozen 3 as Elsa's girlfriend based on the two characters' shared chemistry.
Elysium is the first daughter of Elsa and Jack Frost, protagonists in Frozen and Rise of the Guardians. She is also a Princess of Arendelle and Junior Guardian of Winter. She is the older sister to Elise and is the first heir to the Throne of Arendelle.
