As I said, in general, the film is about American nihilism. More specifically, it is about the transformation of two characters: Jules (Samuel L. Jackson) and Butch (Bruce Willis).
Pulp Fiction is about our need for meaning in a world that appears meaningless. As an exercise, the next time you watch Pulp Fiction, pay attention to how much time is spent talking about names. The names of things: “What do they call a Big Mac?” “It's not a motorcycle baby, it's a chopper.”
Pulp Fiction is a cacophony of violence and redemption. Its themes are not so easily categorized, but I think it all boils down to fate. Each of these characters are put into a situation where they are forced to choose something based on fate or happenstance.
Pulp Fiction is pulp and transcends pulp. As such, it is an authentic film. It is of its time, aware of the concrete reality of its historical context, teaming with the cultural allusions for which it is known. It is a self-conscious, postmodern pastiche, with a nonlinear narrative.
Directed and written by the legendary Quentin Tarantino, Pulp Fiction is the high water mark of the postmodern film. This is because it indulges in copious self-referentiality, challenging structure, and a keen interest in pop culture.
How Pulp Fiction Was Filmed | Everything you didn't know about Quentin Tarantino's movie
What is the controversial scene in Pulp Fiction?
Vincent turned to the backseat to ask for Marvin's opinion, but they hit a bump and Vincent accidentally shot Marvin in the face. Despite its themes, Pulp Fiction only has seven deaths, but they were graphic and shocking enough to cause controversy.
The film also had an impact on a new generation of filmmakers who were influenced by Tarantino. There were several Pulp Fiction copycat films that emerged in its wake. But in eyes of Tarantino's admirers the excellence of Pulp Fiction has never been outdone.
DO WHAT'S RIGHT. This is the moral of the story. The lesson I take away from Pulp Fiction is simply “Do what's right.” On Butch's story he's asked to throw a fight for a huge amount of money from Marcellus Wallace. He does what's right and not only wins the fight but he accidentally kills his opponent.
When a movie takes a creative leap and attempts to incorporate an unconventional technique, it can either end up as a big failure or as a massive success. Pulp Fiction's use of the non-linear narrative structure has made the movie complex and endlessly rewatchable.
As Butch is about to kill Marsellus, Maynard pulls out his shotgun, and holds the two hostage. Zed then shows up, and rapes Marsellus. While Zed is raping him, Butch breaks free and takes a samurai sword from the shop to kill Maynard.
Marsellus wanted Butch dead, but after going through a series of unexpected and traumatic events together, Butch saved Marsellus – and a theory suggests it's because he was honoring the story Captain Koons (Christopher Walker) told him about his father.
A theory suggests that Brett's associate actually had a fake gun but didn't know it, which explains why he “missed” all his shots and why the revolver on the gun didn't move when he shot – plus, he was too close to Jules and Vincent to completely miss them.
And, of course, the lives of Jules and Vincent are saved, when a volley of shots in the apartment misses them. Jules chooses to call this a miracle, a sign from God, and retires from crime. Vincent shrugs it off, and pays the price. There is also an important, hilarious, subplot about the saving of Butch's gold watch.
Apparently, The Gimp is a hitchiker who fell victim to Maynard and his brother. Plus, Tarantino intended for the poor guy to die by the end of the film: “It doesn't quite play this way in the movie, but in my mind when I wrote it, the Gimp's dead. Butch knocked him out and then when he passed out he hung himself.
Vincent comes out of the bathroom to find Butch pointing Marcellus' gun at him. After a few tense seconds, Butch shoots Vincent dead, avenging his early insult. It is unknown if Jules Winnfield, Mia Wallace, Marsellus Wallace, Lance, Jody, Jimmie or Winston Wolfe were informed of Vincent Vega's death.
Marsellus gave him somewhat easy tasks that Vincent couldn't get through without some problems in the process: he sent him with Jules, his best hitman, to get the suitcase, asked him to take Mia to dinner and bring her back home, and sent him to Butch's apartment.
This movie came out in 1994, officially making it 30 years old this year, and it's still very culturally relevant today. This movie was directed by Quentin Tarantino, and it really changed the landscape of filmmaking and is still having an impact on how films are made now.
What is John Travolta shooting up in Pulp Fiction?
In pulp fiction John Travolta injects heroin and then goes on a date and behaves fairly normal, how realistic is this? So-so. I have known casual heroin users that basically just act a little “calmer/and sluggish”.
Why Pulp Fiction Isn't In Chronological Order. While Quentin Tarantino's decision to tell the Pulp Fiction plot out of chronological order was partially stylistic, as he had just done so for the timeline of 1992's Reservoir Dogs, the nonlinear format also has a purpose in making the entire story more compelling.
Butch accepted a bribe from Marsellus to lose the fight, but he double-crosses him and arranges for the money to be bet on him, and goes on to win the fight. On his way back to the motel, he learns that he beat his opponent so badly that he died, and plans to escape to another place the next morning.
On their way back, Jules talked to Vincent about surviving when one of Brett's men opened fire on them. Vincent turned around to ask Marvin's opinion and accidentally shot him in the face. Though it wasn't explicit in the movie, Marvin was Jules' informant, which is why they didn't kill him initially.
Why did Marcellus have a bandaid on the back of his head?
The most popular theory is that it's Marcellus Wallace's soul, hence the case's glow, the Band-Aid on the back of Wallace's head (where the soul is removed) and the combination – 666.
