Where was the staircase filmed for Gone with the Wind?
The stair was built on a Hollywood sound stage and torn down as soon as filming was completed. Little is known about the craftsmen that built one of America's most amazing staircases.
Though the vast majority of the filming for this movie was done in Northern California at Selznick International Studios, other locations where footage was shot include Agoura, Malibu Lake, Simi Valley, and San Bernadine National Forest in California, and North Little Rock.
It is simply spectacular. In fact, you catch a glimpse of the oaks in an early scene of “Gone With the Wind” from 1939. Producers used a painting of Boone Hall's live oaks to depict an entrance to the Twelve Oaks plantation where Ashley Wilkes lived.
There are plenty of surprises behind GWTW, which portrayed life in Georgia, before, during and after the Civil War. The first surprise: nary a frame was shot in the state. All was filmed in California. The only thing Georgian about GWTW was its three-day, 1939 premiere which brought Atlanta pretty much to a standstill.
What was the real plantation they used for filming Gone with the Wind?
Twelve Oaks, which served as Ashley Wilkes' plantation home in the 1939 film, is located in Covington and owned by a Savannah couple. Anthony Tippins and Natalie Powlas acquired the home in an auction in 2019. The mansion, built in 1836, now a successful Bed and Breakfast.
Where is the Tara Plantation in Gone with the Wind?
In the story, Tara is located 5 miles (8 km) from Jonesboro (originally spelled Jonesborough), in Clayton County, on the east side of the Flint River about 20 miles (32 km) south of Atlanta.
In Mitchell's Gone with the Wind, Scarlett O'Hara is sixteen years old at the beginning of the novel, which is set in Clayton County and Atlanta during the late 1800s. At the end of the novel, she is 28 - having lived through both the American Civil War and the Reconstruction Era.
Where was Gone with the Wind filmed in Charleston?
Located a 25-minute drive northwest of Charleston's city center, Magnolia Plantation & Gardens is worth renting a car to visit. The grounds offer a glimpse into antebellum life; in fact, many visitors compare the plantation to Tara, featured in Gone With the Wind.
Rigler said that from the late 1600s to the early 1800s the plantation was owned by the Boone family and records indicate there were 90 to 100 enslaved people on the plantation. By the early 1800s Boone Hall had grown to more than 4,300 acres and the number of enslaved people increased to between 275 and 300.
It turns out Tara wasn't a real home, after all — just an exterior Hollywood set. (Bonner jokes that's not surprising, since most people in Hollywood are fake, anyway.) The facade was built in California in 1939. It sat on a movie lot for 20 years before studio owner Desi Arnaz tore it down and sold the pieces.
An old plantation house outside Jonesboro, which still stands and is known locally as the Fitzgerald Place, was once the home of her great‐grandfather, Philip Fitzgerald. In her novel, Margaret Mitchell gave Fitzgerald Place the fictional name of Tara, and it became the family home of Scarlett O'Hara.
While the book and film cannot be claimed as a completely accurate depiction of the event, it showcases themes that have transcended beyond its historical context, making the experiences of the characters relatable to audiences, not just in America, but on a global scale.
The title phrase of the 1936 novel Gone with the Wind is a reference to the destruction of not only the South's infrastructure during the American Civil War, but also the elimination of the "Southern way of life" following the Confederacy's surrender to the Union.
Clark Gable was 38 and Vivien Leigh was 26 when they played Rhett Butler and Scarlett O'Hara in "Gone With the Wind." Humphrey Bogart was 43 when he co-starred with Ingrid Bergman, 27, in "Casablanca." Burt Lancaster was nearly eight years older than Deborah Kerr in "From Here to Eternity." And Cary Grant was 17 years ...
As many as five directors and 13 writers toiled to bring the epic to life. Shooting for the film took 140 days. The famous “burning of Atlanta” scene required the fiery destruction of a 30-acre back lot. Three days of festivities were held for the film's premiere in Atlanta.
Although most of the film is set in Alabama, filming took place mainly in and around Beaufort, South Carolina, as well as parts of coastal Virginia and North Carolina, including a running shot on the Blue Ridge Parkway. Downtown portions of the fictional town of Greenbow were filmed in Varnville, South Carolina.
Although most of this Academy Award-winning classic was set in Alabama, much of the filming took place in and around Beaufort. The University of South Carolina-Beaufort campus was transformed into Gump Medical Center through the magic of CGI. Scenes of Forrest cutting grass were filmed at the Basil Green Complex.
Rhett falls in love with Scarlett, but, despite their eventual marriage, their relationship never succeeds because of Scarlett's obsession with Ashley and Rhett's reluctance to express his feelings. Because Rhett knows that Scarlett scorns men she can win easily, Rhett refuses to show her she was won him.
He is considerably older than the 16-year-old Scarlett, being about 32-33 at the time, and has made a name for himself as a wealthy scoundrel and professional gambler.
Scarlett soon receives a notification of divorce from Rhett. She makes plans to leave for America but learns that Rhett is now married to Anne Hampton, who is said to resemble Melanie Wilkes. Heartbroken, Scarlett decides to remain in Ireland.
In Margaret Mitchell's 1936 novel Gone with the Wind, Twelve Oaks is the plantation home of the Wilkes family in Clayton County, Georgia named for the twelve great oak trees that surround the family mansion in an almost perfect circle.
Scarlett O'Hara may have been based in part on Mitchell's grandmother Annie Fitzgerald Stephens. Stephens was a shrewd, independent businesswoman of a dominating temperament.
Tara. In addition to representing the land it was built on, Tara serves as a symbol of family and a sense of continuity for Scarlett, often more so than the living family she has left.
