Economics dictated shooting closer to the threshold of the illusion, and most silent films were filmed around 16-18 frames per second (fps), then projected closer to 20-24 fps. This is why motion in those old silent films is so comical, the film is sped up: Charlie Chaplin.
The fact that cameras were hand cranked meant that shifts in frame rates were possible - faster cranking meant a higher frame rate and a potentially smoother illusion of movement on the eye during playback.
Silent films were mostly shot on hand-cranked cameras, which meant they were intended to run at variable speeds through the cinema projector, rather than today's standard 24 frames per second. Run a silent movie at the modern speed and more often than not it will look ridiculous – jerky and comically fast.
Cameras became designed to shoot it, non-linear editing software suites were designed to edit them, and devices were designed to play them. Even though NTSC went away, cameras still shot in 23.976fps.
Inquiring Minds - Why do people in silent movies move so fast?
Did they speed up old movies?
Current speed for movies is 24 frames per second, whether film or digital. Early silent films were all kinds of frame rates like 16, 18, 20, 22 and more. Home 16mm movies were often speeds like 18fps. When transferred to newer film, video or digital they get sped up.
Film grain used to be a natural part of filmmaking. That textured, “noisy” look of old movies was a side effect of shooting and recording onto celluloid film. It was a natural part of the process, and so it became something people automatically associated with watching a movie.
In the silent film era, filmmakers shot movies between 16 and 20fps, which was why the motion appeared fast and jerky. Today, filmmakers typically shoot video at a minimum of 24fps because this is believed to be the lowest frame rate required to make motion appear natural to the human eye.
Hess explains that 24fps was chosen because a new modern standardization of frame rate had to be initiated due to the introduction of sound. 24fps was chosen because of math; it is an easily divided number, and editors can work out specific time cuts based on the number of frames.
Netflix offers limited high frame rate content (50fps or 60fps), but the majority of our catalog and viewing hours can be attributed to members watching 23.97 to 30fps content.
The Horse in Motion, animated from a plate by Eadweard Muybridge, made with an array of cameras set up along a racetrack Roundhay Garden Scene, which has a running time of just over two seconds, was filmed in 1888. It is believed to be the world's earliest surviving motion-picture film.
What silent film stars didn t transition to talkies?
Those who failed to make the transition to sound included Vilma Banky, Mae Murray and Norma Talmadge. Comic legend Charlie Chaplin had yet to talk on film. Roles for Rudolph Valentino's romantic rival John Gilbert dried up, Douglas Fairbanks became disillusioned and audiences avoided director D.W. Griffith's talkies.
The inability to “make dialogue louder” because it will make the explosions seem quiet. Audio is optimized for theater sound systems. Actors now mumble and talk softly into small hidden microphones. The lack of standardization in audio recording.
Old movies were shot on either 35mm or 70mm film reel. These reels were analogue. Analogue gives you the ability to go back to it and 'transfer' it to what ever technology is available at the time.
Many of the films of the '90s incorporated new technologies and tackled issues that were previously thought of as taboo on film. It was another golden decade for Hollywood, as it seemed like there were more and more classic dramas, comedies, action thrillers, and documentaries coming out every year.
Most experts have a tough time agreeing on an exact number, but the conclusion is that most humans can see at a rate of 30 to 60 frames per second. There are two schools of thought on visual perception.
For cinematic film and television (and some online video) 24fps is the standard. That's because this frame rate feels the most cinematic, and looks the most natural to the human eye. It's the standard for any feature film. It's the standard for most TV.
The way the film consistently externalizes the internal confusion and thrill that Miles is experiencing at all times is the most obvious way it communicates his feelings, but the most subtle and technical way is how the film animates Miles at 12 frames per second while all the other Spider-people are animated at 24 ...
Motion smoothing (otherwise known as the soap opera effect). Films are generally filmed at 24fps, and at 60fps this means the frames are more than double the smoothness. It's like watchinf through a camcorder. There are some settings that can allow you to fix this if you find it an issue.
As for the mystery of the television screen, cats and dogs need a higher frame rate than us in order to process shows as a smooth film. A phenomenon known as flicker fusion, we require 15-20 frames per second (fps) while dogs require 70 fps and cats require about 100 fps.
From years of watching movies and television filmed at lower frame rates, our eye expects a certain amount of motion blur and time between frames. The addition of interpolated frames can remove this. This can cause the image to appear to be too sharp, too smooth or unnatural looking to some viewers.
There are two main reasons: at 4K resolution the TV is capable of displaying detail that was obscured in the standard definition (480/576 line) TV display chain. New HD transfers from film to digital file are better able to capture and display fine detail including film grain and video noise.
The 1970s movies were still using film while the 1980s were going video. This makes everything look brighter. The cuts are also neater and sound is better. The 1970s movies aimed for looking gritty.
