Michael may appear to get the better of the argument in Part II—he kicks her out of the house and keeps the children—but eventually Kay remarries and becomes the children's principal parent.
lisbethblom said: Al Pacino in 1990: “Michael loved Kay when he met her and he loved her throughout his life and he loves her to this day. He not only loves her but he also admires her.” lisbethblom said: This is such a fantastic write up.
After Apollonia's death, Michael returns to the United States and marries Kay Adams, though she is unaware that he had been married, then made a widower while he was living in Sicily.
A New Life. By 1979, Kay and Michael had not been in contact since 1971, and Kay had remarried to Douglas Michelson, a lawyer not involved in organized crime.
They would have been married for almost a year. She would have been pregnant with his child and would have learned how to drive. Sadly once she was killed, Michael was never the same after that.
“He made me promise I wouldn't date anyone publicly during promotion of (Purple Rain).” Though she acquiesced to the stipulation and broke up with Roth, the actress didn't jump from one music icon to another. Apollonia has always insisted that she and Prince were "never in a relationship."
After Michael and Kay are dancing in the communion party, we see Fabrizio ("Fred Vincent"), leaving his pizzeria in Buffalo, New York, and starting his car, at which point a previously planted car bomb explodes. He stumbles out of the car, then dies. This was Michael's vengeance upon Fabrizio for killing Apollonia.
Meanwhile, Kay decides to leave Michael and take their children with her, believing Michael will always live in a world of crime and violence. Michael asks her to reconsider, but Kay reveals she aborted their unborn son because she refused to bring another of his children into the world.
Michael may appear to get the better of the argument in Part II—he kicks her out of the house and keeps the children—but eventually Kay remarries and becomes the children's principal parent.
He is also mentioned many times throughout the film; the dialogue makes it clear that Michael is tormented with guilt over ordering his brother's death, and that it has alienated him from his ex-wife, Kay (Diane Keaton), and his son, Anthony (Franc D'Ambrosio), both of whom know the truth about Fredo's death.
Even when they walk together and she briefly stumbles, Michael catching her can be seen as a metaphor for exercising control. Later, in The Godfather Part III, Michael has a flashback about Apollonia. While he states that he loved her, it isn't clear if that is actually an honest admission.
He then flees to Sicily, where he falls in love with Simonetta Stefanelli's Apollonia. Tragically, she's later killed in a car bomb planted by Michael's bodyguard Fabrizio (Angelo Infanti), who betrayed him to his enemies. While Michael gets revenge on those who ordered the hit, Fabrizio is never seen again.
Of course Michael had good reasons to lie. The biggest was to protect Kay. What Kay did not know could not hurt her. Because Michael left her out of the Family business, nobody had reason to kidnap her or toture her to extract information.
The third and final film in the Godfather saga, The Godfather: Part III, set in 1979, explains that Hagen had died a few years earlier. His son, Andrew, is ordained to the priesthood, and is assigned to the Vatican on Michael's recommendation. While talking with Andrew, Michael remembers Hagen fondly as a great lawyer.
He also confessed to her he slept with another woman in Sicily! 👀 Kay was visibly hurt, but let it go. At least he was somewhat honest with her, omitting the fact he got married but Kay told Michael she was never with anyone else during his absence and asked if he was with any other woman.
Fredo's decision is most likely a result of resentment toward Michael, by whom he felt he had been passed over. Michael was Fredo's "kid brother," and the fact that their father chose for Michael to take over the "family business" came as a great insult to Fredo, who was neither as intelligent nor as strong.
After her brother's debut concert, the assassin Mosca tries to kill Michael. One bullet grazes Michael's shoulder, but the other accidentally hits Mary in the chest, fatally wounding her. Michael is devastated by Mary's death, and screams in torment while cradling her dead body.
Enraged, Sonny speeds towards Connie's apartment in Hell's Kitchen ahead of his bodyguards. At the Long Beach Causeway toll plaza, Barzini's men trap Sonny and shoot him to death. During a meeting with the other crime family dons to establish peace, Vito realizes that Barzini masterminded Sonny's murder.
At the end of the film, Connie returns for her mother's funeral and makes peace with Michael. She intercedes on Fredo's behalf after Michael disowns him for conspiring with Corleone rival Hyman Roth, pleading with Michael to forgive him.
During his stay in Sicily, Michael married a local girl named Apollonia Vitelli (Simonetta Stefanelli) and, after her death, he returned to America where he married Kay Adams (Diane Keaton). He and Kay went on to have two children, Anthony (Anthony Gounaris, James Gounaris, and Franc D'Ambrosio) and Mary.
When Michael is brought over for a family picture, he insists Kay join in, perhaps subconsciously to associate himself more closely with her than with the Corleone family. Kay is an independent, outspoken American woman—the opposite of the submissive female Corleones, most notably the delicate and powerless Connie.
Upon their mother's death, and at the urging of their sister Connie, Michael relented toward Fredo and seemingly offered reconciliation. However, it was only a deception to draw Fredo in so as to have him murdered by Al Neri.
Michael has become a true Corleone (embracing both Italian culture and mob affiliation), and his marriage to Apollonia signifies Michael's official acceptance of this change and what it means for his future. When Michael marries Apollonia, he is wedding himself not just to her, but to Sicily and his father's values.
Despite this, the two of them maintained a loving relationship in 40 years of marriage, and Vito never sought a mistress or ever found the need to strike his wife. Carmela diligently managed the household in times of both peace and trouble, knowing the schemes of her sons and the nature of husband's associates.
