Asteroid City was one of the more “obscure” Wes Anderson films I have ever seen. While the actors, filmography, and scenery is all great, I think the movie is bland in story and composition. The storyline isn't great and for me, doesn't really match much with the story I was expecting.
'Asteroid City' is a heartless, soulless exercise in pretension; a meandering mess of a motion picture. Though it boasts some fine performances, there's very little on offer in 'Asteroid City;' and it's certainly not a place you'd want to call home.
'Asteroid City' is a heartless, soulless exercise in pretension; a meandering mess of a motion picture. Though it boasts some fine performances, there's very little on offer in 'Asteroid City;' and it's certainly not a place you'd want to call home.
Box office. Asteroid City grossed $28.2 million in the United States and Canada, and $25.8 million in other territories, for a worldwide gross of $54 million. In its limited opening weekend, it made $853,382 from six theaters, finishing in tenth.
The film explores themes of loneliness and the power of human connection in a complex and layered story set in a desolate desert town. The lack of clear meaning or resolution in some aspects of the film actually serves to reinforce its central theme of embracing uncertainty and moving forward in life.
So here's our interpretation: we guess Wes Anderson is trying to say that the unknown can represent a new beginning, and it's totally okay to not know what's ahead. You might lose your significant other and not know what lies ahead for you in terms of love—that's okay.
With Wes Anderson's latest installment, however, the story bounces around so much, between reality, behind the scenes, and within the play, which is Asteroid City, the story can get jumbled and the meaning behind it can be hard to find. But that's just the point.
And not only a play but a play in a movie, what makes it become an inception and an inception's inception and goes on. Asteroid City IS a WA's parody because it is NOT written by him: it is written by a character written by him. So, yeah, it has his essence, but it's not totally his.
Nominated for Nothing: The Academy didn't wake up to Asteroid City because it couldn't fall asleep. Wes Anderson's latest feature deserved more consideration from the Oscars.
Content Guide Nudity: Brief but graphic nudity. Scarlett Johansson's character asks the protagonist if he wants to see her "do a nude scene" before dropping the towel covering her and briefly baring her whole front, as seen through a mirror's reflection. Smoking: Characters smoke cigarettes and pipes.
Much has been written on the grief in Wes Anderson's Asteroid City, with the director himself being candid enough to describe the film not only in terms of grief, but as being centred chiefly around death.
What are the black and white scenes in Asteroid City?
The plot weaves between the doc's behind-the-scenes action, shot in theatrical black and white, and the play itself, captured with exclusively natural light in a makeshift mystical town in the American West, where families from across the country have congregated for a stargazing convention.
In addition to the violent scenes and scary visual images mentioned above, Asteroid City has some scenes that could scare or disturb children aged 5-8 years. For example: Augie and his children are seated in a diner when a bomb goes off, causing the diner to shake.
The entire film seems intentionally crafted to create a sense of emotional distance, for a few reasons—not least of which is that the film's opening explains that Asteroid City isn't a real place, and the story that takes place in Anderson's pastel diorama is actually a play being staged for a studio audience on a ...
So, although Asteroid City covers the same period as Oppenheimer, its emphasis is on a less noteworthy topic, but that doesn't mean it's not as enjoyable. Nevertheless, the odd coincidence makes both films perfect for a double feature.
You've probably seen these in the last few months, but there have been viral AI replications of Wes Anderson's work. It's funny actually watching Asteroid City and realizing none of what Wes Anderson and his crew are doing could ever actually be created by AI––it's such a distinct, personal version.
Asteroid City doesn't have a post-credits scene or any other type of extra material or tease at the end of its credits. Instead, Asteroid City's credits roll as normal to give credit to everyone involved in the making of it, both in front and behind the camera, so it's worth staying to recognize their work.
What is the meaning of you can't wake up if you don't fall asleep in Asteroid City?
The mantra near the end of the film; 'You can't wake up if you don't fall asleep' underlines the point echoed by the film itself that we live in and perceive different multi-layered realities that range from pure fantasy to the harsh reality of physical existence.
His place in the world is thrown further into doubt by the arrival of an enigmatic extra-terrestrial, leading the single father to ask searching existential questions. The inability to dismiss his doubts leads the widower to do something important: without reason he burns his hand on a griddle.
What is the repeated line in the movie Asteroid City?
Anderson's characters usually share a talent for deadpan eloquence, but in Asteroid City, their dialogue is marked by persistent repetitions, verbal stutter-steps like “First I'll read my speech first” and “Sometimes I think sometimes.” It's as if they're playing for time until they can remember their next line.
The Asteroid City soundtrack closes with a second Cocker original, “You Can't Wake Up If You Don't Fall Asleep.” Anderson put the soundtrack album together with music supervisor Randall Poster. Jarvis Cocker and Seu Jorge play cowboys in Asteroid City.
