Thus, Suzume sets out on a journey with Souta to assist him close the doors and ends up falling for him. The open-ended nature of the film has made fans wonder whether the pair will end up together or not.
Suzume is a film about a protagonist who goes on a journey to "close the doors" on disasters. It should be noted that this is not a romance movie. While I won't spoil whether any romantic elements come into play, this is primarily a story about Suzume's adventure and finding closure/moving on in life.
Suzume purkers up for a kiss with Souta. Lewd. While most anime have a muscle-bound hunk or an aloof loner as a protagonist's romantic partner, the new film from the director of international box-office hit Your Name goes a slightly different route.
Coincidentally, Shinkai admitted to Looper that he intended Suzume to be a lesbian romance, but studio execs nixed the idea. "In terms of the LGBTQ commentary, it's not something that I'm actively trying to write or not write or [is] a conscious decision.
Sōta inspires Suzume to live, but not for him, and not for love. He inspires her to live because he wants to live, which makes her realize she's worth a life as well. He changes her for the better by inspiring her, without actually being the sole reason she changes.
Later, Suzume enters the Ever-after to save Souta from his fate as keystone, culminating in a battle where the 2nd keystone (Sadaijin) and Daijin fight the worm. Suzume successfully frees Souta from the Ever-after, and he watches as Suzume gives the 3-legged chair to her younger self.
The Romance of Suzume Highlights the Strengths of the Protagonist. The romance at Suzume's center is really only a piece of what makes the movie so emotional and impactful.
But make no mistake -- as she attempts to keep a monster known as the Worm at bay, Suzume falls in love with Souta, who is also meant to help shut the gateways. They meet a lot of interesting people along the way, with their arcs of love and family coinciding with Suzume losing her own mother as a kid.
What is the movie about a girl falling in love with a chair?
Admirers of the gifted Japanese writer-director Makoto Shinkai will recognize his touch from the opening moments of his often entrancing new animated feature, "Suzume." An affecting story about love and salvation, loss and memory, the movie opens on a dark-blue sky kissed by pastel-sunset pinks and purples, with stars ...
It's the first place of their own. It's like a little home, their own space, a little castle all their own. In the movie, I think that's why Suzume has this particular connection with the chair.
As a chair, Sōta can still talk and even move. In fact, he can run — which he does with gusto whenever he sees that cat again, desperate to make it restore his human form. Trust us when we say you've never seen anything quite like Sōta-chair running along the pavement (you can see some of it in the trailer above).
Why is he a chair? The chair is a random object that Daijin transforms Souta into merely because he is sitting on it. It also passes on the responsibility of the Keystone to him. But the chair is special to Suzume, which amplifies her need to help Souta in his mission and reverse the spell on him.
Shinkai's new hit is unrelated to the previous two films, even though the director addressed nature, the spiritual world, environmental concerns, and a tale of a girl and boy who came from a small town and city, respectively.
Suzume's lead characters, Suzume and Souta, also have a discernible age difference. Suzume is 17, and Souta is 21, which is less extreme than in Shinkai's past films, but it's still something that's been debated within Shinkai's fandom.
But I feel most people enjoy “Suzume” as pure entertainment first, regardless of the historical fact. – In Japan too, the young audience may have a vague notion about the Great East Japan Earthquake. Shinkai: Most of the teens in Japan now don't have any memory of the disaster.
He explains that Suzume's ability to see the worm and the Ever-After through the doors, means that in some point in her life she entered the realm through one of the doors. Moreover, the doorway that she first used is the only place where she can re-enter the Ever-After in order to save Souta.
The ending of Suzume no Tojimari is heartwarming and conveys a message of hope and optimism. Suzume no Tojimari's ending sees Suzume and Souta successfully seal the worm, preventing it from breaking free into the world of the living.
Childhood. In 2011, Suzume's mother died in the Great East Japan Earthquake on March 11, and Suzume got lost in the Ever-After after passing a door looking for her mother.
Suzume's ending conveys a powerful message through closure and growth after facing tragedy. The film explores the impact of natural disasters and the importance of moving forward with hope. Shinkai's work emphasizes the power of memories, feelings, and connections between people.
In the scene at the end when teenage Suzume gives her younger self the chair, there's a very cathartic moment where she tells herself, “One day you're going to grow up, you're going to fall in love with people and you're going to fall in love with yourself.”
Shinkai explained that “Suzume's” giant, supernatural worm was inspired by Japanese mythology about a giant catfish that lived deep beneath Japan and caused earthquakes and other disasters when it moved underground.
