During the silent era, films music is provided by each individual theater, either by phonograph or as performed live by flesh-and-blood musicians. In the later case, either a pianist improvises to the film or a small ensemble of musicians performs a classical piece, in the background, as the film plays. But!
Musical scores for early silent films were either improvised or compiled of classical or theatrical repertory music. Once full features became commonplace, however, music was compiled from photoplay music by the pianist, organist, orchestra conductor or the movie studio itself, which included a cue sheet with the film.
Silent films did not have the technology to record dialogue, as sound recording was not developed until the late 1920s. When you watch silent films on TV or DVD then the soundtracks were recorded some time later. In the early days of cinema movies had live/instrumental accompaniment (piano, or even an orchestra etc.).
The technology to capture and record sound on film along with the images was not mastered until the mid-1920s, and it wasn't in common use until later in that decade. That means that for most of the first 35 years of motion pictures, theaters had to provide their own accompaniment with the films.
Representation among actors was not equal even in the heyday of silent films—there were not many Deaf actors—but the celebrated few included Granville Redmond, a painter who appeared in Charlie Chaplin films.
The oldest surviving silent film is known as the Roundhay Garden Scene. It was recorded on October 14, 1888, by inventor Louis Le Prince in Roundhay, Leeds, West Riding of Yorkshire, England.
“The Jazz Singer” from 1927 was not the first-ever motion picture with sound, but it was the first feature-length movie with synchronized dialogue and marked the end of the silent film era.
The gradual transition from silent films to talkies took place between 1926 and 1930 and included many small steps — both technological developments and adjustments to audience expectations — before it was complete.
The shift from silent films to talkies was a huge deal for actors in the late 1920s. Many silent film stars found it difficult to “find their voice” and place in this new Hollywood medium, which completely changed the game of on-screen performance.
What silent film stars didn t transition to talkies?
Those who failed to make the transition to sound included Vilma Banky, Mae Murray and Norma Talmadge. Comic legend Charlie Chaplin had yet to talk on film. Roles for Rudolph Valentino's romantic rival John Gilbert dried up, Douglas Fairbanks became disillusioned and audiences avoided director D.W. Griffith's talkies.
It all has to do with dynamic range—the difference between the loudest and softest parts of a soundtrack. The wider the range, the larger the dramatic impact, explains Scott Wilkinson, audiovisual technology journalist and consultant (and the “Home Theater Geek” on TWiT.tv).
Many Hollywood accents were based on an old, artificial theatrical accent used on the live stage from the 19th century, entitled “Mid-Atlantic" accent. It was taught in theatrical circles and at elite East Coast boarding schools. As such, it was not a natural accent which anyone had from their upbringing.
On October 6, 1927, Warner Bros. released The Jazz Singer, the first feature-length film to incorporate synchronized sound for sequences of dialogue. Though these sequences were limited and brief, hearing the voices of the film's stars was a revelation for audiences. The following year, Warner Bros.
How was sound created in theaters during the silent movie era?
Movies from the Silent Film Era (1894-1929), were largely recorded and played without sound. Most of these films relied on intertitle text to explain key plot points and live pianists, organists, and orchestras to provide score and sound in the theater.
Was the music for silent movies scored or improvised?
The vast majority of films did not have scores composed specifically for them. Rather, they relied on local pianists or small orchestras to improvise music without the supervision of the studios and filmmakers.
Silent films were never silent. From their earliest days as an exhibition attraction, motion pictures were accompanied by some form of music–typically a piano, a musical combo in more modest sized houses, and sometimes an entire orchestra in movie palaces.
Which silent film won the first ever Best Picture Oscar?
Did you know the first movie ever named “Best Picture” at the Oscars was filmed right here in Texas? It goes back all the way to the first ceremony, held May 16, 1929, when the Academy of Motion Picture Arts and Sciences' honored the 1927 silent film “Wings” with the first-ever Academy Award for Best Picture.
The movie business has very humble beginnings. In the 1800's, many inventors, such as Thomas Edison and the Lumiere Brothers worked on machines that projected images. This led to the silent movie era which ranged from 1894 to 1929.
The American silent era produced about 10,919 films. Just 2,749 of those are still with us in some complete form, either as an original American 35mm version, a foreign release, or as a lower-quality copy.
Made from the 1890s through the late 1920s, silent films are movies without synchronized sound and dialogue. Instead, music was often played live in theaters to accompany and punctuate the action that took place on the screen, and dialogue was conveyed through intertitles, or shots of printed text.
Benshi (弁士) were Japanese performers who provided live narration for silent films (both Japanese films and Western films). Benshi are sometimes called katsudō-benshi (活動弁士) or katsuben (活弁).
As early as the 1910s, film accompanists established mood with music. Composers wrote music, known as photoplay, specifically for films. Some songs were marked with the type of scene they were meant to accompany. These directives can be seen on the photoplay music show here.
