Frankenstein refers to his creation as "creature", "fiend", "spectre", "the dæmon", "wretch", "devil", "thing", "being", and "ogre". Frankenstein's creation referred to himself as a "monster" at least once, as did the residents of a hamlet who saw the creature towards the end of the novel.
What pronouns are used for Frankenstein's monster?
As both Fisher and Stryker find a sense of similarity with Victor Frankenstein's Creature, it is important to note the use of pronoun that the Creature uses to identify as. Within the novel, there are many instances where the Creature and his creator uses the masculine pronouns he and him to describe the being.
Shelley described Frankenstein's monster as an 8-foot-tall, hideously ugly creation, with translucent yellowish skin pulled so taut over the body that it “barely disguised the workings of the arteries and muscles underneath,” watery, glowing eyes, flowing black hair, black lips, and prominent white teeth.
Frankenstein's actions, and the actions of the Creature, it becomes clear that the true monster of Mary Shelley's novel is actually the main human character, Dr. Victor Frankenstein.
The word “monster,” therefore, does not only reveal outside individuals' reduction of the Being, but also his reduction of himself. As these outside standards suffocate the Being, he enters into a self-fulfilling prophecy: he becomes what others, and he himself, believe him to be.
Frankenstein is More Horrific Than You Might Think | Monstrum
Is Frankenstein's monster a monster?
Perhaps Victor is hinting at the fact that he is aware of his dual personality and that he knowns he is ultimately responsible for the death of his brother. This suggest, that there is no separate entity known as the “monster,” and it is just a figment of Victor's imagination.
Pierce's decision to paint Karloff's skin a greyish green was a conscious choice to play on these limitations, distinguishing the monster from the rest of the cast by giving him a skin color that would be captured as a ghostly white on film.
The Creature is a physical representation of the pursuit of knowledge gone wrong. He compares himself to Adam at one point, saying, "I remembered Adam's supplication to his Creator.
The monster's namelessness is a powerful tool. It creates the image of the creature and develops the novel's central theme. Victor's refusal to name the beast symbolizes his complete rejection of his creation. The monster does not call himself because he feels that he is different from humans and cannot relate to them.
In the final scene, Elizabeth is married to the Monster, who has been made into a stock market genius by having Frederick donate a portion of his own brain.
However, after being outcasted and mistreated by humanity, he would become obsessed with getting revenge on his creator for his abandonment. Since his creation in 1816, Frankenstein's Monster has become recognized as one of the most tragic villains in fictional history, and a pivotal character in horror fiction.
Assembled from corpses and jolted to life, Frankenstein's Monster is many things—intelligent, sensitive, immortal—but mostly, he's a patchwork man seeking his place in the world.
The Monster hates Frankenstein for abandoning him after his creation: “He had abandoned me: and, in the bitterness of my heart, I cursed him.” The Monster is also angry with Frankenstein for making the Monster the only one of his kind: “I was dependent on none and related to none.” The Monster also feels hatred and ...
Yet several generations later Mary Shelley's monster, having resisted his creator's attempts to eliminate him in the book, is able to reproduce himself with the variety and fertility that Frankenstein had feared.
The monster wants companionship and love but is rejected at every turn, even by his maker. The monster carries out his dark promises, and Victor concludes his days in the same solitude he condemned his creation to, fueled like the monster by the desire for revenge.
(Shelley 35) Victor's desire for the creature to have beautiful features fails, resulting in the creature's ugly “watery eyes” and “straight black lips” (35). Additionally, though “his hair was of a lustrous black, and flowing,” something that could be understood to be beautiful becomes something ugly.
Answer and Explanation: The Creature originally feels a kinship towards Adam because they share similar origins. Adam was created by God as a brand new being never before seen on earth while the Creature was brought to life by Victor Frankenstein supposedly as the ideal human.
The Monster is a metaphor for humanity because, as humans the monster was "born" pure. It wasn't until he was exposed to the torments of humanity that he became murderous and vengeful.
For example, Frankenstein's monster is a fictional character no longer protected by copyright because it was created by Mary Shelley, who died in 1851. Anyone is freely able to create works based on Frankenstein's monster.
Frankenstein, or more accurately Frankenstein's Monster, is often depicted with green skin, despite Mary Shelley's original novel describing the color as having a yellow hue — so how did the iconic monster get its literally-trademarked appearance?
The best-known image of Frankenstein's monster in popular culture derives from Boris Karloff's portrayal in the 1931 movie Frankenstein, in which he wore makeup applied and designed by Jack P. Pierce, who based the monster's face and iconic flat head shape on a drawing Pierce's daughter (whom Pierce feared to be ...
The question of why the Creature is yellow is a popular one in Frankenstein scholarship. At birth, the Creature is described as jaundiced, possessing a “dull yellow eye” and “yellow skin”—an allusion to the very common condition of neonatal physiologic jaundice (81).
Frankenstein's creature is afraid of fire because fire is deceptive. When he first sees it, he is delighted by its brightness, color, and warmth. It fascinates him, so he tries to touch it. Only then does he discover that its beauty is illusory, hiding a potential to cause great pain.
