(Shelley 35) Victor's desire for the creature to have beautiful features fails, resulting in the creature's ugly “watery eyes” and “straight black lips” (35). Additionally, though “his hair was of a lustrous black, and flowing,” something that could be understood to be beautiful becomes something ugly.
His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, ...
The monster's eloquent narration of events (as provided by Victor) reveals his remarkable sensitivity and benevolence. He assists a group of poor peasants and saves a girl from drowning, but because of his outward appearance, he is rewarded only with beatings and disgust.
The Evolution Of Frankenstein's Monster (ANIMATED - Universal Franchise)
Why does Frankenstein's monster hate him?
The Monster hates Frankenstein for abandoning him after his creation: “He had abandoned me: and, in the bitterness of my heart, I cursed him.” The Monster is also angry with Frankenstein for making the Monster the only one of his kind: “I was dependent on none and related to none.” The Monster also feels hatred and ...
The novel suggests that the creature cannot be accepted as human because he is a singular being, and therefore cannot be a part of a community. Since Victor made the creature, there is not another being that is the same as him. He is singular in appearance, and in the way he was made.
The monster wants Victor Frankenstein to create a mate for him. He says that his monstrous behavior is due to not having a companion like him and that if he had a mate, he would live peacefully with her and far from humanity.
According to Mellor, Victor “never once considers how such a giant will survive among human beings” (47). As a result, when the creature awakens, Victor is disturbed by what he sees: “now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.
The monster wants companionship and love but is rejected at every turn, even by his maker. The monster carries out his dark promises, and Victor concludes his days in the same solitude he condemned his creation to, fueled like the monster by the desire for revenge.
The story of Frankenstein incrementally unfolds, and tells a story of becoming aware, then learning to interact with an environment, and eventually other intelligent beings. The progress culminates with the monster obtaining a self-awareness and ability to reason about what other intelligent beings are reasoning about.
In fact, the novel never actually describes how Frankenstein gives life to his creation, skipping over the dramatic process altogether and jumping ahead to the moment when it opens a "dull yellow eye." Shelley's novel Frankenstein is actually strikingly different from what many associate with the "Frankenstein" story.
In the novel he is never given a specific name, that's why he is just called “the creature”, “the monster”, “Frankenstein's creature” or “Frankenstein's monster”, some argue that he dubbed himself “Adam” and recognized himself as Victor's son making him Adam Frankenstein, but even that is spurious, he does not get the ...
What does Frankenstein's Monster compare himself to?
In Frankenstein by Mary Shelley, the Creature compares himself to both Satan and Adam from Paradise Lost by John Milton. The Creature compares himself to Adam, believing himself to be an innocent first creation, the first and only of his kind. He also compares himself to Satan.
As we reread Mary Shelley's Frankenstein at two hundred years, it is evident that Victor Frankenstein is both a mad scientist (fevered, obsessive) and a bad scientist (secretive, hubristic, irresponsible). He's also not a very nice person. He's a narcissist, a liar, and a bad "parent." But he is not genuinely evil.
Human beings made him declare “war” by treating him like an enemy. The Monster feels completely alienated: “none among the myriads of men” will take pity on him. In this way he resembles Frankenstein, who alienates himself by pursuing forbidden knowledge.
Given these potential consequences, Victor decides he would be selfish to provide the creature a mate to save himself from the creature's persecutions, so he destroys the female. It is a decision based on projected outcomes, but it misses the extent of the ethical problem.
Elizabeth Frankenstein (née Lavenza) is a fictional character first introduced in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. In both the novel and its various film adaptations, she is the fiancée of Victor Frankenstein.
The monster is mute throughout the first movie, and learns a few words in the first sequel, The Bride of Frankenstein, but not much. In the novel, not only does the monster learn to talk, he narrates much of the book himself. And he doesn't just mumble a few simple words either.
Superhuman Strength: The Frankenstein Monster is superhumanly strong. The process that granted him life artificially enhanced his body's physical strength to levels beyond the human body's natural limits. At his peak, he can lift about 10 tons.
He even claims that he has committed the murders that have been, in reality, done by the monster because he remarks he is “not indeed, but in effect was the true murderer” (Shelley 72). These are the clear indications that the monster is his mirror, alter ego, the other side, and the double goer.
