Lily was the evil twin and the director of the play was the prince, Lily was seducing the director (Thomas) but Nina becomes the black swan and seduces him but ended up killing herself to finally free herself from the constant burden she puts on herself to be perfect all the time.
Towards the ballet's second act, Nina seems to be faltering as Odette but with no time to waste, she rushes to the dressing room to change where she confronts her competitor Lily, stabs her to death, and continues her performance as Odile.
Maybe she had the first one at the bar with Lilly and the two guys, because Lilly confirmed they existed the next day. NOT REAL: Therefore, Lilly and Nina did not have actual sex (we know this because after sex, Lilly said something to Nina about being a ‘Good girl’ and then tried to smother her. Not real!)
Nina's disordered relationship with her roommate mother Erica, played by Barbara Hershey, sets the stage for Nina's psychological breakdown. Erica is narcissistic, spending all of her time painting pictures of herself and completely infringing on Nina's space and well-being.
It turns out that Nina hallucinated the fight with (and subsequent murder of) Lily, and actually stabbed herself while in the throes of a psychotic episode. But this doesn't stop Nina from performing the role she's worked so hard to attain. Bleeding, she returns to the stage to perform the last act of the show.
Around the midpoint of Black Swan, a movie that I love because it's pants-crappingly amazing and off-kilter, it's clearly established that Nina (Natalie Portman) is able to hallucinate several hours' worth of false memories that heavily involve Mila Kunis's character, Lily—as well as various other graphic and violent ...
Nina is a teenaged girl, and she is being sexually abused by Thomas and her mother. The world of professional ballet looks nothing like what we see in the movie because it isn't one: it's a ballet school, Thomas is an instructor, and the Swan Queen production is a one-night performance by students.
Although symptoms would not occur as rapidly as they do in Nina Sayers in most common cases of schizophrenia, it is plausible. Therefore, Black Swan is a decent portrayal of a person's descent into paranoid schizophrenia.
"I had to look skinny in order to look like a ballerina," she explains. "You fake it. So, the best way to fake it is to unfortunately look like it." The Bad Moms star says she smoked cigarettes and went on a 1,200 calories a day diet to lose the weight.
Taking a solitary walk by the lake, the young Princess Odette encounters the wicked Von Rothbart. Overcome with fear, she turns and runs in the hope of escaping his evil power. However, she is not quick enough, and Von Rothbart casts a spell on Odette, transforming her into a swan.
Sometimes in these situations, where a mother is caring for a mentally ill child the child's life needs to be strictly regimented and controlled in order to maintain stability. This could be the reason why Erica feels the need to restrict Nina's movements and social interactions.
The two fight, breaking a mirror. Nina stabs her doppelgänger with a large shard of glass from the mirror, killing her. The body reverts to Lily. Nina hides the corpse in the bathroom and takes the stage, dancing flawlessly as Odile and seemingly turns into a black swan, her arms covered in feathers.
When she returns the things she took from Beth's (Winona Ryder) dressing room, the shoe knife becomes a weapon of self-harm, as Beth repeatedly stabs herself in the face. Again, there is no confirmation whether this is imagined or actually happened but the theory that it is part of Nina's psychosis certainly adds up.
But speaking as a psychiatrist, Lamberti said the film did not accurately depict schizophrenia, as has been widely speculated, but "does present a reasonable portrait of psychosis." "People tend to be scared of things they don't understand," he said.
Early in the film the audience is shown a small rash on Nina's back; this has to do with a nervous tick she has developed where she scratches herself. When the mother finds that the rash has gotten worse, she strips Nina down to her underwear and pulls her into the bathroom to cut her nails.
The story's simplicity (an up-and-coming ballet dancer earns the coveted main role of White Swan/Black Swan in a production of "Swan Lake") belies what's really going on: an internal/external struggle that touches on the duality of women's lives and asks what we're willing to sacrifice to achieve success.
Synopsis. The movie opens as Nina Sayers (Natalie Portman), a young ballerina in her mid twenties, is dancing the prologue to Swan Lake. Swan Lake is a ballet in which a princess is turned into the White Swan and can only be turned back if a man swears eternal fidelity to her.
In contrast, Siegfried's male lover is giving and compassionate. As the Black Swan, though, he represents what some South Africans, according to Masilo, see as dark forces in society: homosexuality and AIDS. Masilo plays up this dichotomy between the two swans in a pair of pas de deux.
Destruction of the body is the basis of all horror, but Black Swan's body horror serves a dual purpose by not only freaking out the viewer but also using symbolism to represent the decline of Nina's mental state. Though it isn't as overt as most other horror films, Black Swan is no less terrifying.
Even with Thomas Leroy's (Vincent Cassell) twisted take on "Swan Lake" in Black Swan, the same basic story is told, with Nina tasked to play the white swan and the seductive black swan. As a result, Nina performs the closing number with a stab wound in her chest, which results in her actually dying at the end.
It is, though, far from being the whole truth. The “Black Swan” screenplay has surely been prompted by a number of dancers' memoirs — Gelsey Kirkland's 1986 best seller, “Dancing on My Grave,” is just the most famous — to convey its neurotic version of the internal life of ballet.
