Pulp Fiction is about our need for meaning in a world that appears meaningless. As an exercise, the next time you watch Pulp Fiction, pay attention to how much time is spent talking about names. The names of things: “What do they call a Big Mac?” “It's not a motorcycle baby, it's a chopper.”
As I said, in general, the film is about American nihilism. More specifically, it is about the transformation of two characters: Jules (Samuel L. Jackson) and Butch (Bruce Willis).
Pulp Fiction is a cacophony of violence and redemption. Its themes are not so easily categorized, but I think it all boils down to fate. Each of these characters are put into a situation where they are forced to choose something based on fate or happenstance.
DO WHAT'S RIGHT. This is the moral of the story. The lesson I take away from Pulp Fiction is simply “Do what's right.” On Butch's story he's asked to throw a fight for a huge amount of money from Marcellus Wallace. He does what's right and not only wins the fight but he accidentally kills his opponent.
Pulp Fiction is pulp and transcends pulp. As such, it is an authentic film. It is of its time, aware of the concrete reality of its historical context, teaming with the cultural allusions for which it is known. It is a self-conscious, postmodern pastiche, with a nonlinear narrative.
Pulp Fiction is widely regarded as Tarantino's magnum opus, with particular praise for its screenwriting. The self-reflexivity, unconventional structure, and extensive homage and pastiche have led critics to describe it as a touchstone of postmodern film.
Vincent turned to the backseat to ask for Marvin's opinion, but they hit a bump and Vincent accidentally shot Marvin in the face. Despite its themes, Pulp Fiction only has seven deaths, but they were graphic and shocking enough to cause controversy.
Marsellus wanted Butch dead, but after going through a series of unexpected and traumatic events together, Butch saved Marsellus – and a theory suggests it's because he was honoring the story Captain Koons (Christopher Walker) told him about his father.
A theory suggests that Brett's associate actually had a fake gun but didn't know it, which explains why he “missed” all his shots and why the revolver on the gun didn't move when he shot – plus, he was too close to Jules and Vincent to completely miss them.
Why did Marcellus have a bandaid on the back of his head?
The most popular theory is that it's Marcellus Wallace's soul, hence the case's glow, the Band-Aid on the back of Wallace's head (where the soul is removed) and the combination – 666.
Why does Marcellus have a bandaid on the back of his neck?
11. Why is there a band-aid on Marsellus' neck? The actor Ving Rhames simply had a rather ugly looking scar on the back of his neck and so the make-up artist covered this up with a band-aid so that the scar didn't distract the audience too much.
Afterwards Zed was tortured, mutilated and killed by Marsellus' men. Butch would take Grace (the chopper) as his new getaway vehicle out of the city with his girlfriend Fabienne, telling her that it had belonged to Zed and that "Zed's dead, baby. Zed's dead."
Apparently, The Gimp is a hitchiker who fell victim to Maynard and his brother. Plus, Tarantino intended for the poor guy to die by the end of the film: “It doesn't quite play this way in the movie, but in my mind when I wrote it, the Gimp's dead. Butch knocked him out and then when he passed out he hung himself.
What is John Travolta shooting up in Pulp Fiction?
In pulp fiction John Travolta injects heroin and then goes on a date and behaves fairly normal, how realistic is this? So-so. I have known casual heroin users that basically just act a little “calmer/and sluggish”.
One of the memorable scenes in Pulp Fiction is when Vincent Vega accidentally shoots Marvin in the face while in the car, but why they took Marvin in Pulp Fiction remains questionable. And was his death really an accident?
Why Pulp Fiction Isn't In Chronological Order. While Quentin Tarantino's decision to tell the Pulp Fiction plot out of chronological order was partially stylistic, as he had just done so for the timeline of 1992's Reservoir Dogs, the nonlinear format also has a purpose in making the entire story more compelling.
What is the point of the first scene in Pulp Fiction?
The first scene sets the mood for the whole plot and reveals the overall meaning of the film. The viewer can conclude that the most violent scenes are the result of random spontaneous events.
Pulp Fiction couldn't be made today because Pulp Fiction was made for the 90's. Hundreds of movies since have taken inspiration from, paid homage to, and have built something new on top of the foundation it laid. And malcontents like Nichols intuitively know this, even if they don't consciously realize it.
And, of course, the lives of Jules and Vincent are saved, when a volley of shots in the apartment misses them. Jules chooses to call this a miracle, a sign from God, and retires from crime. Vincent shrugs it off, and pays the price. There is also an important, hilarious, subplot about the saving of Butch's gold watch.
The influence of the work is hard to underestimate. Pulp Fiction opened new paths in filmmaking and inspired the creations of future generations. Tarantino's dialogues, characters, and bold narrative structure continue to inspire and influence many.
So no one could have been all that surprised when Forrest Gump took six trophies at the 1995 ceremony while Pulp Fiction eked out just one of its seven nods, for Best Screenplay; Quentin Tarantino's gloriously profane crime opus undoubtedly came in too hot for the staid Academy, which tends to be about as radical as a ...
Having chosen to leave his criminal life behind him, Jules resolves the situation with Pumpkin and Honey Bunny peacefully, showing he is on the path to redemption. This is mirrored in the chronological ending, where Butch rides off into the sunset with his winnings to start a new life with Fabienne.
Those with an understanding of how boxing bets work have explained that it was financially better for Butch to bet on himself, betray Marsellus, and run away with the money, though the question remains as to why he took such a big risk, as Marsellus and company were obviously going to retaliate.
Zed arrives and tells Maynard to wake up their slave, the "Gimp," and chooses Marsellus with a game of "eenie meenie miny moe". Leaving The Gimp to watch over Butch, they take Marsellus into the back room, bend him over a vaulting horse and begin to rape him.
