ABSTRACT. The catalyst for the main plot of Blade Runner 2049 is the discovery, as Sapper Morton puts it, of a “miracle.” The “miracle” of replicant reproduction is presented as having extremely important implications for the status of replicants and how they may be treated by their human counterparts.
Because of this memory, K became convinced that he was Rachael and Deckard's child, but was eventually informed by Freysa that he was not and that the child was female. With this revelation, K soon determined that Stelline was the child. K took Deckard to Stelline's lab as she interacted with a snowfall hologram.
One of the most significant – and moving – sequences in Blade Runner 2049 arrives in its third act, when K learns that he is not, in fact, Deckard and Rachael's missing child. K is what he was told he was all along: a replicant, nothing more, nothing less.
Why Did K Sacrifice Himself at the End of Blade Runner 2049? K realized that although he thought he was acting on his own free will, he was being constantly manipulated by things outside his control. His final act of sacrifice was entirely his choice, granting him a sense of freedom.
The film reveals that Deckard was able to conceive a child with Rachael, and this was possible because she was an experimental prototype (designated Nexus-7), the first and only attempt to design a replicant model capable of procreation.
You've Never Seen A Miracle. Ryan Gosling. Blade Runner 2049
Why does Luv kiss Officer K?
During the final fight with K, after subduing him, she smugly kissed him and retorted "I am the best one!", as if trying to prove her superiority over not just K, but all other replicants, further hinting at her deep-seated insecurities that she kept well-hidden.
However, he later learns that, even if the memory is real, it was not his own but Dr Ana Stelline's. Through her work, Dr Stelline shared her memory with K, and this allowed him to understand what it was like to walk in her shoes, but most importantly, to believe himself a free, loved replicant.
His perfect match would disobey her programming to help him. Regardless of your opinions on the above, I do think that the movie clearly says that Joi's love for K was programmed/created by a corporation. But he loves her back.
Moments later, K recounted an intimate memory of himself as a child. In the memory, K revealed, he was living in an orphanage where a group of children chased after him in order to get a wooden horse toy from him by force. K, determined to stop this from happening, hid the toy inside an abandoned furnace.
Deckard's eyes glow briefly in one scene, which was used in the film to subtly suggest his replicant identity. However, Ford denies this was an intentional effect and he may have caught some of the light intended to fall on Sean Young's eyes.
Villeneuve uses yellow as a source of information and enlightenment for our hero, K. Anytime a major plot point gets revealed or a new twist happens, yellow is in the composition somehow.
Wallace himself wanted to discover the secret to reproduction in replicants in order to support interstellar colonization, and to this end he sent Luv, now his assistant, to steal Rachael's remains from the LAPD headquarters and follow K to find Rachael's child.
Later at K's apartment, he informed Joi of his conclusion that his memory was indeed real. This overjoyed her, as she always believed him to be special, insisting that he now be called "Joe." Unsure, K sought further information and Joi suggested finding the one responsible for creating memories for replicants.
K started the movie believing he was made, with implanted memories. He then thought he was born, and that the memories were real. In fact, as revealed by the end of the movie, he was made and the memories were implants – but they were real, implanted memories from the actual daughter of Deckard and Rachael.
Ana Stelline (Carla Juri), who is Deckard and Rachael's daughter but has no idea of this and now works as the world's best memory fabricator. We don't know if she planted that memory in only K's brain or in the brains of hundreds of replicants, hoping one of them would follow this message in a bottle. Maybe others did.
The big twist in the final act of the movie is that K isn't the son of Deckard and Rachael at all, but just another cog in the machine that might lead to the child's discovery.
I believe that the film is telling us that one does not have to be born to have a soul, for K certainly has a soul, rather it is just that a subject must become a person for it to be demonstrated that a subject has a soul, and it is certainly the case that K is a person…
In Blade Runner 2049, Ana de Armas plays Joi, an artificial intelligence sold by the Wallace Corporation. She's a customizable hologram that the people of Blade Runner's futuristic America can purchase as a live-in romantic partner.
She weeps when they suffer and is heartbroken when they die, but is incapable of acting to stop either. Like so many people who feel helpless in today's society, Luv is a prisoner to her programming. Luv's first very-human tears come as she witnesses a murder.
This is when she slices his eyes with her katana, permanently blinding him. While Elle manages to escape with her life and leave Los Angeles for parts unknown, her actions may have actually motivated Wallace Jr. to become the ruthless CEO he is in Blade Runner 2049.
The horse, with the inscription "6.10. 21", establishes the connection between the dead female replicant who gave birth and died on 6.10. 21, and K himself, implying that the memories were not in fact "implanted" but are rather genuine after all.
In the final moments of the film, K collapses in the snow and dies from his wounds sustained in battle, but not before fulfilling his mission and revealing to Deckard the truth about his own past.
