Beetlejuice, on the roof, sees Lydia, and is shocked when he learns that Lydia can hear and see him. ("Invisible Reprise"). He persuades Lydia to say his name three times, so he can help her scare Charles. Lydia does not trust him, and Adam and Barbara concur, despite Beetlejuices forcing them to praise him.
Why does Lydia have to say Beetlejuice three times?
To him, saying his name three times is no different than signing multiple papers on a contract. His methods may be questionable, but it speaks to his character that he will always make sure a person is totally sure of their decision before doing anything.
Why Should You Say His Name Thrice? The rules dictate that someone has to repeat “Beetlejuice” thrice before he appears. Repeating his name acts like a contract to use his services when you summon him. Hence, 3 has been a significant number in the film.
Yes there is spelling of "Beetlejuice" in the film. The begining credits title the film "Beetlejuice". The Maitlands used the astrological spelling... after several mispronunciations. Some also argue that he may not have been permitted to write his name the way it should, much like he can't say his own name.
Angry, she storms out onto the roof, where she meets Beetlejuice, a demon who dreams about getting rid of the curse that makes him invisible to the living world. Beetlejuice realizes that the girl can see him and is a perfect candidate for breaking the curse.
It's Showtime! - Beetlejuice (8/9) Movie CLIP (1988) HD
How old is Lydia in Beetlejuice?
While Lydia Deetz's age was never explicitly stated in Beetlejuice, she's confirmed to be a high school student who is likely about 16 years old, which was Winona Ryder's age when the original 1988 movie was released.
Beetlejuice turns into a giant snake, quite scary for youngsters. Sexual:7/10 First of all, Beetlejuice is a pervert who forces Lydia to nearly marry him, and tries to kiss a mans wife.
We know that Beetlejuice used to work as the assistant to the caseworker Juno, which means he killed himself, since all undead civil servants committed suicide. Beetlejuice was Bozman, and he killed himself after his building was completed in 1835.
The movie Beetlejuice can serve as a metaphor for gentrification. The Deetz are gentrifiers, moving into the former home of the Maitlands. In the opening scene, Mrs.
Beetlejuice's appearance in the original script had him as a tall, black, winged demon that could transform into the appearance of a small Middle-Eastern man.
Betelgeuse, also publicly known as Beetlejuice, is the titular main antagonist of the 1988 live-action film and titular protagonist of the animated cartoon of the same name. He is the main antagonist of the film, but has a more heroic role in the cartoon as the main protagonist.
Right before he goes into the mortal world, he says, “Let's turn on the juice and see what shakes loose.” The line comes just moments before one of the most iconic scenes in the movie, signaling that this particular ghost isn't quite like others in the cinematic world.
Parents on Common Sense Media reported on the cursing throughout Beetlejuice, which includes two F-bombs. Another strong point of caution for parents on Common Sense Media are the sexual references made. At one point during the film, Beetlejuice tries to kiss Barbara without consent and then lifts her skirt.
Does Lydia actually marry Beetlejuice in the musical?
Lydia plans to trick him by agreeing to marry him as Charles, Delia, and the Maitlands get the demon ready ("Creepy Old Guy"). The wedding brings Beetlejuice to life, allowing Lydia to stab him and kill him again, making him "Recently Deceased".
But Lydia's obsession with the dead does have a bit of a downside. She gets so sad and disgusted with her parents at one point that she decides to commit suicide so that she can join the Maitlands: LYDIA: He told me that if I let him out he would take me to the other side to find you. BARBARA: No, Lydia, we're dead.
They run the house and they are happy until Lydia discovers she may be able to see her mom again. Beetlejuice takes this as a rejection and manipulates the situation to trick Lydia into marrying him. Unlike the film, Lydia tricks him. She agrees to marry him then runs straight into the Neitherworld to find her mom.
Beetlejuice's ending is really about the value of family in all of its strange and unexpected incarnations. Despite all the trials and tribulations that she is put through by Beetlejuice's ending, Lydia ends up with a family who pays attention to her and cares about her in the form of Adam and Barbara.
This is Michael Keaton's favorite film of his own. The studio originally wanted to call the film "House Ghosts." As a joke, Tim Burton suggested the name "Scared Sheetless" and was horrified when the studio actually considered using it.
Lydia serves as the voice of reason to Beetlejuice, who adores her, and he'll would do anything to make her happy. Although the series includes a number of small callbacks to the film, the exact backstory of how she and Beetlejuice met, is never clearly revealed.
Miss Argentina (aka The Receptionist, and Miss Receptionist) appears at the window in the Neitherworld Waiting Room. As she's shown in the live-action film, it appears that she committed suicide by cutting her wrists.
After being hit on the head by a falling satellite, Beetlejuice has (naturally!) somehow lost his memory, so he, Lydia and a Neitherworld psychiatrist must travel into Beetlejuice's body to ...
Sandworms are large snake-like monsters and one of them appeared as the secondary antagonist in the movie Beetlejuice. They are a type of creature that lives on Titan, a dusty moon for Saturn. At the end of the movie, one of the Sandworms eat Beetlejuice.
She was fifteen, she turned sixteen on the movie. She was a prodigy. From a very young age, she was an old soul. She really got the words and the imagery.
Parents need to know that there is sporadic violence in Edward Scissorhands. Aside from a woman attempting to seduce Edward wearing a lace bra (she mounts Edward while he is on a chair and attempts to use his scissors to cut off her clothes), sexuality is limited to courting rituals (kissing and hugging).
