Mary doesn't explain anything because that's not the way she teaches. She teaches by leading people into experiences, and having them see for themselves. Mr. Banks can't learn to loosen up just by Mary telling him, "Loosen up!" She has lead him into events, so he can figure out the lesson on his own.
Why did Mary Poppins say I never explain anything?
Mary Poppins, in both movies, is very much a “show, don't tell” character. Even though there are tons of great Mary Poppins quotes from the titular character, she doesn't like to fully explain herself or spoil surprises. She prefers to lead people into new situations without them having any preconceived ideas.
Mary Poppins is a story of redemption. We see how a bad parent, caught by the trappings of his work and the stress of everyday life loses sight of the one thing that matters, his family. It's a great character arc. Whilst the film is called Mary Poppins, really the film isn't about her.
Mary Poppins is a story about life's tradeoffs and the importance of finding balance, understanding and fulfilling obligations, and subordinating personal ambition.
Mary Poppins in Travers' books is strict and no-nonsense, asserting her unusual brand of discipline over the four (later five) Banks children in her charge. Mary is very vain and is always admiring herself in the mirror and other reflections.
Supercalifragilisticexpialidocious. “The song sticks to you like gum to the bottom of your shoe,” Amster says. More than a half-century later, the 34-letter word is part of the jubilant foundation of “Mary Poppins,” an Amster-directed musical that draws upon the music of the Disney film of the same name.
Travers based the beloved character on her austere great-aunt. Mary Poppins first appeared in the pages of Australian author P.L. Travers's eight-book series of the same name, published in 1934. The character is inspired by Travers's real-life great aunt, Helen Morehead.
'” The song talks about an old woman on the steps of the cathedral selling bags of crumbs for people to feed the birds. She asks those passing by to spend a tuppence (only a few cents) to feed the birds who took the bread back to their nest.
What is the point of the bird lady in Mary Poppins?
While the bank partners in Mary Poppins represent greed and frugality, the Bird Woman represents charity, kindness, and the importance of enjoying life's small pleasures.
The word supercalifragilisticexpialidocious in Mary Poppins is said to be simply a word used as "something to say when you have nothing to say," but the mouthful of nonsensical syllables certainly has brought cheer to audiences for decades.
The story in Mary Poppins Returns is set in the original time of Travers' book —1934 — during the Great Depression or “Great Slump” as it says on screen.
What does Supercalifragilisticexpialidocious mean in Mary Poppins?
Supercalifragilisticexpialidocious is a nonsensical word, origin in the 1930s based on super, popularized by the 1964 film Mary Poppins. It simply means “extraordinarily good” or describes something as being great or extraordinary.
The Banks children—Jane, Michael, and the twins, John and Barbara—live at 17 Cherry-Tree Lane in London with their parents. When their nanny leaves, her replacement arrives one evening borne on the east wind. Mary Poppins is vain and often irritable, but within her stern exterior lurk all kinds of delightful wonder.
MIRANDA: He grew up alongside the Banks kids, but he was the kid shining shoes outside while they were living in the house. And they've written off their relationship with Mary Poppins, but Jack never forgot. Jack sees Mary Poppins and remembers it all for the magic that it is.
The awe Mary Poppins inspires is actually inspired by the characters' own imaginations. That's why she denies that they ever participated in a horse race in a magical cartoon universe, when Michael reminds her that this happened—she's trying to make Michael look to his own imagination for amazement, not to magic.
They Are Both "Blue Bloods:" There is also a lyric from the song Jolly Holiday that Mary sings which goes, "Though you're just a diamond/ In the rough, Bert/ Underneath your blood is blue!" The term 'blue blood', as defined by the Merriam Webster Dictionary, is "membership in a royal or socially important family."
“Feed the Birds,” written by Richard and Robert Sherman for Mary Poppins (1964), was one of Walt Disney's favorite songs. A mere six stanzas in length, it spoke to his personal view of life, affirming the power in a simple, random act of kindness.
In the film, Mary Poppins has a magic carpet bag that contains ANYthing one might need. To the Banks children in her care – and to the audience at home – the bag fuels the imagination and instills a sense of wonder.
Where is Cherry Tree Lane? In the Mary Poppins books and films, the Banks family home is at number 17 Cherry Tree Lane. There is no Cherry Tree Lane in central London, but there are plenty of streets of Georgian houses which look like the Banks' – particularly in the affluent areas of Chelsea and Kensington.
Is There a Love Connection between Mary Poppins and Bert the Match-Man? The 1964 Disney movie Mary Poppins certainly suggests such an interpretation. However, Mary Poppins's author P.L. Travers had a different opinion and denied any romantic relationship between these two fictional characters.
By the end of the movie, her actions (and manipulations) have made this upper-crust family a family again. She has taught them the power of love. And yet, at the moment the Bankses joyfully reunite, Mary Poppins can only look on from a distance. She's shut out, no thought given to her by her charges or her employers.
In the Disney version Mary Poppins is more like a fairy godmother than a witch, and her task is to restore the absentee Banks parents to their children, to create a conventionally happy family, one in which children are not raised by servants.
Why is supercalifragilisticexpialidocious not in Mary Poppins Returns?
“The truth is, from the very beginning, we knew how loved the first film was, and we wanted to pay homage to it and make reference to it, but we wanted to make sure that when you started our film, you were watching a new story, a new installment,” says screenwriter David Magee (who also penned Finding Neverland and ...
