Yet, this revolutionary step in cinema was not without its drawbacks. It was revealed that Christopher Nolan unintentionally destroyed one of the only four existing Imax cameras at that time. Nolan orchestrated the toppling of a truck amidst the bustling city of Chicago.
Amid its already massive box-office bonanza, The Dark Knight made $6.3 million on opening weekend from 94 Imax venues, a resounding exhibition success. Since then, more and more of Nolan's pictures have been shot in the format, including his 2017 masterpiece Dunkirk, about 70 percent of which was filmed on Imax.
Oppenheimer was filmed in a combination of IMAX 65mm and 65mm large-format film. For the first time ever, sections were filmed in IMAX black and white analogue photography during backwards time shifting in the story.
“Oppenheimer,” which was recently nominated for 13 Oscars, made nearly $1 billion at the global box office, with a special emphasis on large-format presentations like IMAX 70mm and 70mm. “Tenet” was also filmed entirely on large-format film stock, but never got its full due on the big screen.
What ACTUALLY happens when you accidentally open your film camera
What is the longest IMAX film ever recorded?
You know, you're not doing it just for self-indulgence sake. You're doing it because you're trying to create the best experience possible to see it. QURESHI: At three hours, "Oppenheimer" is the longest film ever made for IMAX, and it has pushed some projectors to the literal breaking point period.
IMAX 15/70 frame is, therefore, 8.3x larger than 35mm and 3.4 times larger than 70mm – and the result is unprecedented quality. This large frame allows much more fine detail to be captured, delivering richer colors and greater contrast.
“The headline, for me, is by shooting on IMAX 70mm film, you're really letting the screen disappear. You're getting a feeling of 3D without the glasses. You've got a huge screen and you're filling the peripheral vision of the audience. You're immersing them in the world of the film.”
When the quest for inner peace gets struck by his vow to protect the galaxy, Thor rocks out to a new beat in Marvel's Thor: Love and Thunder filmed for IMAX. We rallied our band of creatives to design a motion piece that sets the stage for a Thor like never before.
Although Inception was not shot using IMAX cameras (anamorphic widescreen 35mm, with occasional 65mm, stood in), the movie was later exhibited in the format. The depth of field and aspect ratio takes on an appropriately cavernous and sweeping air, even in the routine dialogue scenes.
Nolan prefers shooting on film to digital video and advocates for the use of higher-quality, larger-format film stock. He favours practical effects over computer-generated imagery, and is a proponent of theatrical exhibition.
“Oppenheimer” was shot using some of the highest resolution film cameras that exist. Like “Dunkirk ” and “Tenet,” “Oppenheimer” was filmed entirely on large format film stock, meaning a combination of IMAX 65mm and Panavision 65mm (think David Lean/"Lawrence of Arabia"), that's then projected in 70mm.
Each Imax camera is said to cost around $500,000, which leads us to the incredible story of how Christopher Nolan destroyed three of these amazing cameras, totaling a whopping $1,500,000. That's without knowing how well the filming of the hotly anticipated Hollywood blockbuster, Oppenheimer, is going.
In 1994, investment bankers Gelfond and Bradley Wechsler acquired IMAX Corporation through a leveraged buyout and publicly listed the company on the NASDAQ stock exchange.
The process they developed used a single projector, a single camera, and a single large format screen. The first IMAX film was titled Tiger Child, and was shown at Expo '70 in Osaka, Japan. In 1971, the first IMAX theater system was set up in Toronto at Ontario Place.
4DX will be fun only once for most. It is an experience in itself but movie is sidelined with distractions from movement etc. IMAX screen is much larger, brighter and better. it is meant for cinema lovers.
Avatar was shot on the Sony Venice 2, which is not a real Imax camera; it's basically a digital full-frame sensor, and while movies like Tenet or Interstellar are really shot in Imax negative, Avatar 1 and 2 are technically not true Imax experiences.
IMAX theatres create a more immersive viewing experience with the massive screen, which delivers up to 40 per cent more imagery due to its high-resolution 3D technology. The IMAX theatre itself is also designed with steep seating to allow for an unobstructed view of the screen from any place.
Oppenheimer was shot using a combination of 65mm film (5 perforations) and IMAX 65mm film (15 perforations). If you go to an IMAX 70mm screening, you'll see the scenes shot in IMAX format full-screen (and the rest will have black bars at the top and bottom).
The IMAX cinema process increases the image resolution by using a larger film frame; in relative terms, a frame of IMAX format film has three times the theoretical horizontal resolution of a frame of 35 mm film.
We talked a lot about the quality, but what makes IMAX stand out is the projection. The standard uses 70 mm film run through the projector horizontally. This technique produces an area that is about 8.3 times as large as the 35mm film, and around 3.4 times as large as 70 mm film run through the projector vertically.
