However, it is assumed that in the process of creating the body of the monster for reanimation, Victor used a brain from someone who had once been living, and is assumed to have been fully grown before their eventual death.
In the 1931 film adaptation, the creature is depicted as mute and bestial; it is implied that this is because he is accidentally implanted with a criminal's "abnormal" brain. In the subsequent sequel, Bride of Frankenstein, the creature learns to speak, albeit in short, stunted sentences.
For, it is through science that the monster gains his being; the humanities only complicate his situation and make him realize that, indeed, he is not human, and as a creation of science he is simply not what he hopes to be.
From Robert Florey's initial script for the 1931 film directed by James Whale to the more recent films and television series, an abnormal brain is considered to be the cause of the madness and malignity of the Creature.
The story of Frankenstein incrementally unfolds, and tells a story of becoming aware, then learning to interact with an environment, and eventually other intelligent beings. The progress culminates with the monster obtaining a self-awareness and ability to reason about what other intelligent beings are reasoning about.
The creature is intelligent and is able to speak and reason, yet is not recognized as a human by society. He is able to voice his concerns, but due to the way he looks he cannot be considered human and is therefore denied the rights of man.
Victor Frankenstein though a "scientific method" that allowed him to create life from non-living matter. Although he would turn out to be deformed and terrify his creator into abandoning him, the Creature would turn out to be a peaceful and intelligent being who sought companionship.
Frankenstein and his Monster are Both Fictional Allegories Created by the Narrator Walton. Summary: Walton's tale of Victor Frankenstein and his monstrous doppelganger is imaginary.
What mental illness does the monster in Frankenstein have?
Frankenstein's monster could be fully diagnosed with a slew of mental disorders as a result of his creator's negligence during his formative developmental stages after his creation. One of the major diagnoses could be a psychopathic disorder.
Pierce's decision to paint Karloff's skin a greyish green was a conscious choice to play on these limitations, distinguishing the monster from the rest of the cast by giving him a skin color that would be captured as a ghostly white on film.
Moreover, he subsides entirely on vegetation until he is chased by Victor and forced to kill to keep him alive. Without the influence of human society, the creature would remain as innocent as he was at conception. Therefore, he is not truly a monster.
The monster is Victor Frankenstein's creation, assembled from old body parts and strange chemicals, animated by a mysterious spark. He enters life eight feet tall and enormously strong but with the mind of a newborn.
Magic inflates science, and science impedes magic, and the result is a terrible miscreation, a machine-man made of vulnerable flesh, a golem estranged from all animating spirit, a homunculus bred not from the womb but from the grave. Perhaps, then, Frankenstein's creature is after all alone.
What would Frankenstein's monster really look like?
Unfortunately, despite the hand-picked features of the creature, he wasn't as beautiful as Dr. Frankenstein intended. His limbs were in proportion like the average human, his hair was jet black and flowy, and his teeth were pearly white, yet his yellowish skin barely covered the veins and such underneath.
Assembled from corpses and jolted to life, Frankenstein's Monster is many things—intelligent, sensitive, immortal—but mostly, he's a patchwork man seeking his place in the world.
Victor Frankenstein was born in Naples (according to the 1831 edition of Shelley's novel) to a Swiss family. He was the son of Alphonse Frankenstein and Caroline Beaufort, who died of scarlet fever when Victor was 17.
Shelley explores this way before the development of Machine Learning. Frankenstein's creation learns language, and how to speak through a hole in a cottage wall where he secretly watches a family interact with one another. He is the very embodiment of machine intelligence.
In the canon of the old B+W Universal Frankenstein series, specifically at the end of Ghost of Frankenstein, the original brain put into the Monster's head by Dr. Frankenstein was removed and replaced with the transplanted brain of Ygor.
He even claims that he has committed the murders that have been, in reality, done by the monster because he remarks he is “not indeed, but in effect was the true murderer” (Shelley 72). These are the clear indications that the monster is his mirror, alter ego, the other side, and the double goer.
The monster feels, talks and acts as a human regardless of the fact that it does not obtain the looks of one. Since he is artificially created and does not look like a human, his creator Victor Frankenstein is repulsed by it and shuns him.
Despite this first transgression, the creature does not appear to consume animal flesh again in the novel and it is only the Romantic vegetarian diet, 'The vegetables in the garden, the milk and cheese… placed at the windows of some of the cottages' that are described as 'allur[ing his] appetite' (Shelley 1818, 83).
