Drive Ending: The Final Scene In the final scene, Bernie promises that Irene and Benicio will be safe, but Driver will live the rest of his life fearing Bernie's revenge.
The Driver manages to escape, while Bernie's corpse lies in the parking lot next to the cash. Irene knocks on the Driver's apartment door and walks away when no one answers.
The Driver's struggle to escape his violent nature and pursue a normal family life is a central theme throughout the film. The ending suggests that The Driver expected to be betrayed and had entered the restaurant with the intention of killing Bernie, leaving the audience to interpret his fate.
It's similar to the movie but different in a few important ways, most notably its very clear that The Driver lives at the end of the novel. Bernie Rose tries to kill The Driver with a knife in a parking lot, but The Driver sees it before it happens, knees Bernie and drives the knife into his throat killing him.
The Driver survives before pulling out his own knife and fatally stabs Bernie to death. The Driver manages to drive away and abandons the money next to Bernie's corpse. Irene knocks at The Driver's apartment, but gets no response as she walks away.
But now, years later, he sets the record straight on a potential “Drive 2.” “No, there will never be a second 'Drive' movie,” the helmer told Inverse. When asked if it was because of the “perfect” ending he replied, “No, it ends too imperfectly. And that's why it works.”
Climax — minute 93 — Driver meets with Bernie to drop off the money. Bernie informs him the money will save Irene and Benicio, but he will die. Driver opens the trunk, revealing the money, and Bernie stabs him in the stomach.
What is the significance of the scorpion in Drive?
The scorpion jacket is not just an article of clothing; it's a symbol of the Driver's character development. As the story unfolds, the jacket witnesses his transformation from a stoic loner to a protector and avenger. It signifies his commitment to the few people he cares about and his willingness to take action.
The Driver isn't necessarily a good guy, but when he crosses the wrong crime syndicate, he's relentlessly pursued by even worse guys. He was just supposed to be the getaway driver following Standard's lead, but he's on his own after Standard is killed.
James Sallis (born 21 December 1944 in Helena, Arkansas) is an American crime writer, poet and musician, best known for his series of novels featuring the character Lew Griffin and set in New Orleans, and for his 2005 novel Drive, which was adapted into a 2011 film of the same name.
Ryan Gosling is one of the hottest actors right now, but that doesn't mean everyone's going to love "Drive," in which he stars as a man with no name, a man of few words, a man with whom you do not want to mess. Oh, but some of you? You've been waiting for this.
Irene's husband Standard Gabriel (Oscar Issac) is in prison but is soon released. Apparently, he owes a bit of money to a gangster named Cook (James Biberi), who demands that he rob a pawnshop for $40,000.
Three-time Oscar nominee Ryan Gosling shares two children with his partner Eva Mendes, whom he has called his hero. When Gosling took the stage for his "I'm Just Ken" performance at the 2024 Oscars, he gave credit to his and Mendes's daughters, Esmeralda and Amada.
The Driver, concerned for the safety of Irene and Benicio, offers to act as the getaway driver for the pawnshop robbery. The job goes awry when the pawnshop owner shoots and kills Standard while the Driver is waiting for him with Cook's accomplice, Blanche.
Drive makes non-verbal communication its primary storytelling tool. Ryan Gosling will say 891 words in the entire film. He has 116 lines. That's an average of around 7 words per sentence.
To kick things off, the scorpion is a nod to the fable of The Scorpion and the Frog. In that story, the scorpion asks a frog to carry him across a river. Midway across, the scorpion stings the frog, dooming them both. When the frog asks why, the scorpion replies that it's in his nature to do so.
The speaker describes the incident in which the scorpion stings his mother without mentioning his mother at all. Instead, he focuses on the scorpion and what he did immediately afterward: "Parting with his poison—flash / of diabolic tail in the dark room— / he risked the rain again" (5-7).
The film establishes The Driver as a mythological character, and although the film is grounded in realism, the filmmaker constantly makes allusions to The Driver's mythical persona. In this sense, Drive is part superhero film and part fairy tale film.
Many of the owners were not willing to make further investment; growing land prices were also making it difficult to invest in and maintain the expense of a drive-in theater business.
