In the Hellraiser film series, Pinhead was once British soldier Captain Elliott Spencer, who became disillusioned with life and humanity during his experiences during World War I, leading him to summon the Cenobites and join their ranks.
Leviathan, the Lord of the Labyrinth, chooses those select few that qualify and judges them in it's black light, reading the sum of who they are and all they've done to see if they are a worthy candidate for Cenobitization.
Cenobites are different from a lot of demons in fiction by the fact they have human origins—almost all Cenobites started existence as a human being but became transformed into Cenobites upon losing their sanity and soul to depravity.
“We were never afraid of it. We always knew that [a female Pinhead] made sense given the history of the franchise and the kinds of fans that have embraced it,” Bruckner says. “It was also a way for us to not replicate Doug Bradley's incredible, iconic performance. There had been a lot of precedent in the franchise.
He was dragged into the Labyrinth and then transformed into the Cenobite Pinhead. In the decades that followed he obediently served the dark entity Leviathan as the new leader of the Cenobites, losing all memory of his past life as a human being in the process.
Freddy Krueger is the main antagonist of Nightmare on Elm Street and a major antagonist in the Gray Chronicles. Freddy is a member of the Cenobite council and the rival of Laughing Jack. He is also the most feared and dreaded enforcer of Zalgo, even more so than Pinhead.
The use of nails and pins evolved out of one of Barker's short stories called The Forbidden, which featured a board hammered with nails at specific intersections of laid out squares. This aesthetic would resurface for the Pinhead character years later.
According to Hellraiser lore, the Leviathan is a god who is responsible for creating Pinhead and his pain-loving colleagues. It is likely this deity who is responsible for Voight's transformation and it is also likely that they are turning him into a new Cenobite.
In the Hellraiser film series, Pinhead was once British soldier Captain Elliott Spencer, who became disillusioned with life and humanity during his experiences during World War I, leading him to summon the Cenobites and join their ranks.
The film was originally made under the working title of Sadomasochists from Beyond the Grave. Barker also wanted to call the film Hellbound but producer Christopher Figg suggested Hellraiser instead.
Each of the four primary Cenobites from The Hellbound Heart were featured in the film, with appearances based upon their descriptions in the book. The first Cenobite became Butterball, the second Pinhead, the third Chatterer, and the fourth The Female.
Candyman is a Cenobite. Both stories which Hellraiser and Candyman are based off of are by Clive Barker. Each character only causes mayhem when they are summoned. To top it off all they know after their deaths are pain and pleasure.
The angel Jophiel is a character introduced in 2018's Hellraiser: Judgment. Once the angel who guarded the Garden of Eden, it was she who banished Adam and Eve from Paradise after their fall from grace. She is introduced as a minor antagonist; manipulating events upon God's will.
She solves the puzzle box, and they are sent to Hell. The box transports Joey iinto limbo, where she comes face to face with an apparition who appears to be her dead father. The apparition tells Joey to give him the puzzle box, only to be revealed as Pinhead in disguise.
The Hellraiser reboot movie includes a female version of Pinhead, but this change to Hellraiser movie tradition actually closer to the character's original depiction.
Gay horror director Clive Barker didn't originally write Hellraiser's villain as male, but the Hollywood films made it so. Hulu's recently released remake of gay director Clive Barker's 1987 horror film Hellraiser features transgender actress Jamie Clayton as the film's iconic villain Pinhead.
Leviathan, also known as the God of Flesh, Hunger and Desire, is the overarching antagonist of the Hellraiser franchise. It is the "deity" residing inside the extra-dimensional world known as the Labyrinth who is the overlord ruling the Cenobites, including their masters Pinhead and the Engineer.
First book and first couple of films? No (or, at least, not any mention of it). Later films and the second book, however, have definitely adopted a traditional christian view of heaven and hell. Hell is Heaven in Hellraiser.
In the final scene, Voight's body is ripped and torn into new shapes so that he resembles a Cenobite himself. Of course, there are many ways that this could be interpreted. Voight's transformation could be seen as a metaphor for the corrupting nature of power or the cycle that turns victims into persecutors.
The most straightforward is to reverse the Lament Configuration. In doing so, it will send him back to his world. Pinhead also abides by a strict code, and if a person summons him because they were forced, he won't go after the victim.
So the point of “Hellraiser” is to understand three things: Your actions have consequences. They can be good or bad and can affect people in good or bad ways. The first thing you never do is do something without thinking about what could happen.
The Lament Configuration Box is a cubic puzzle that people need to solve to summon the Cenobites. Since the Cenobites come from a dimension of unbounded pleasures and pain, people solved the Lament Configuration Box hoping to experience things unknown on Earth.
