Part of filming took place at the Performing Arts Center at State University of New York at Purchase. Aronofsky filmed Black Swan with a muted palette and a grainy style, which he intended to be similar to The Wrestler. Aronofsky said: I like Super 16 because the cameras are really light, really moveable.
The movie Black Swan, released in 2010 and directed by Darren Aronofsky, was shot on film using ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera and Zeiss Ultra 16 Lenses with Matthew Libatique as cinematographer and editing was done on the Avid Editing System by Andrew ...
As the featurette above reveals, a series of impressive visual effects were applied throughout the film in order to incorporate Natalie Portman's face in scenes where her double, dancer Sarah Lane, took over to executed difficult choreographies, as well as to physically convey her character's literal transformation ...
Darren Aronofsky decided to shoot Black Swan on Super 16 mm cameras to avoid giving it a glossy look. He gave the film a grainy visual style and a muted color palette, which was similar to the look of his previous film, The Wrestler.
While the film dramatizes the unveiling of Nina's illness, it presents some reasonably accurate elements of first-break psychosis. Black Swan clearly highlights the first-hand perspective of individuals with psychosis and their interpretation of reality.
How long did Natalie Portman train for Black Swan?
Portman and Kunis started training six months before the start of filming in order to attain a body type and muscle tone more similar to those of professional dancers. Portman worked out for five hours a day, doing ballet, cross-training, and swimming. A few months closer to filming, she began choreography training.
There are simply too many psychological issues going on with Nina. She shows elements of an anxiety disorder with obsessive compulsive behaviors. She also manifests self-injurious behavior and some signs of an eating disorder.
Hi. Her character did, but she didn't. That said, it was still extremely awkward for both of them, and they have spoken about their discomfort while shooting the scene quite a few times.
Can child stars go on to credible careers? With her Ivy League credentials and a performance in Black Swan that's put her in line for an Oscar, Natalie Portman proves it can be done... At 29, Natalie Portman has already been in the business a long time.
Synopsis. The movie opens as Nina Sayers (Natalie Portman), a young ballerina in her mid twenties, is dancing the prologue to Swan Lake. Swan Lake is a ballet in which a princess is turned into the White Swan and can only be turned back if a man swears eternal fidelity to her.
When she returns the things she took from Beth's (Winona Ryder) dressing room, the shoe knife becomes a weapon of self-harm, as Beth repeatedly stabs herself in the face. Again, there is no confirmation whether this is imagined or actually happened but the theory that it is part of Nina's psychosis certainly adds up.
Taking a solitary walk by the lake, the young Princess Odette encounters the wicked Von Rothbart. Overcome with fear, she turns and runs in the hope of escaping his evil power. However, she is not quick enough, and Von Rothbart casts a spell on Odette, transforming her into a swan.
Did Natalie Portman do any of the dancing in Black Swan?
In a written statement, "Black Swan" director Darren Aronofsky said, "Here is the reality. I had my editor count shots. There are 139 dance shots in the film -- 111 are Natalie Portman untouched. Twenty-eight are her dance double Sarah Lane.
Soon after the L.A.-based Kunis was cast in "Black Swan," the film's choreographer, Benjamin Millepied, contacted the Los Angeles Ballet's artistic directors and asked if they could provide Kunis with ballet training. Instead of taking on the task themselves, they recommended Blacker for the assignment.
In Black Swan, while there is ample opportunity in the text for lesbian intervention, there is a particular scene where Nina and Lily have sex. In The Kids Are All Right, the two main characters are self-identified lesbians in a committed relationship.
NOT REAL: Therefore, Lilly and Nina did not have actual sex (we know this because after sex, Lilly said something to Nina about being a ‘Good girl’ and then tried to smother her. Not real!)
According to Malaspina, Nina's affliction is most consistent with a severely neurotic, obsessive-compulsive patient with features of a borderline personality disorder who suffers from “mini-psychotic episodes.”
But speaking as a psychiatrist, Lamberti said the film did not accurately depict schizophrenia, as has been widely speculated, but "does present a reasonable portrait of psychosis." "People tend to be scared of things they don't understand," he said.
The night before she is set to perform, Nina becomes convinced that Lily is going to take her place. Her paranoia and mental strain cause her to hallucinate that she's physically turning into the role of Odile, the Black Swan, complete with red eyes and black feathers protruding from bird-like skin.
Destruction of the body is the basis of all horror, but Black Swan's body horror serves a dual purpose by not only freaking out the viewer but also using symbolism to represent the decline of Nina's mental state. Though it isn't as overt as most other horror films, Black Swan is no less terrifying.
Like other endings of Aronofsky movies, this incorporates surrealist elements as Lily's death was a hallucination. This wouldn't come as a surprise to viewers as the story had already dabbled in the protagonist showing similar behavior in the past.
And for Her Encore... After admittedly subsisting on very little for the duration of the shoot to keep her weight hovering around 98, a 20-pound drop from her already petite frame, Portman's first meal after they wrapped was pasta, "for breakfast, lunch and dinner," she told Collider. "I ate it all the time."
Natalie Portman has transformed herself for many film roles, but nothing was as grueling as her Black Swan makeover. The actress shed an astonishing 20lbs from her already slight frame to play a ballerina in the 2011 film and admitted it put such a toll on her body that she thought she was going to die.
