Davis's net worth at the time of her death was $2 Million after adjusting for taxes and inflation. According to her last will and testament, Bette's estate was worth $1 Million. The bulk of the estate was left to her adopted son, Michael Merrill. The other beneficiary was her close friend and assistant Kathryn Sermack.
A funeral was held at Campbell Funeral Home, New York, on May 13, 1977. In her will, which had been signed on October 28, 1976, Crawford bequeathed to her two youngest children, Cindy and Cathy, $77,500 each from her $2 million estate.
Michael Merrill, Bette's son, and Kathryn Sermak, Bette's personal assistant and friend, are now the executors of her estate. In her memory, they have created The Bette Davis Foundation, which provides financial assistance to promising young actors and actresses.
How much was Bette Davis paid for What Ever Happened to Baby Jane?
Even though she liked the part of Baby Jane, Bette played hardball when negotiating with the director and asked for two things: top billing and more money than Crawford. Davis received $60,000 for the role.
She never forgave Bede. Mother and daughter remained estranged through 1989, when Davis was told her breast cancer, in remission for five years, had “exploded,” and she had just days to live.
Here's Who Inherited Bette Davis' Fortune After Her Death
Did Bette Davis give birth to any of her children?
In 1947, at the age of 39, Davis gave birth to daughter Barbara Davis Sherry (known as B.D.), and later wrote in her memoir that she became absorbed in motherhood and considered ending her career. As she continued making films, however, her relationship with her daughter B.D.
According to her last will and testament, Bette's estate was worth $1 Million. The bulk of the estate was left to her adopted son, Michael Merrill. The other beneficiary was her close friend and assistant Kathryn Sermack. Her daughters and grandchildren had been intentionally disinherited.
Bette Davis, longtime rival of Crawford, denounced the book, stating, "I was not Miss Crawford's biggest fan, but, wisecracks to the contrary, I did and still do respect her talent. What she did not deserve was that detestable book written by her daughter. I've forgotten her name. Horrible."
Bette Davis and Joan Crawford started feuding after Bette became involved in a love triangle with Joan's then-fiancé, Franchot Tone. While filming Dangerous, co-stars Bette and Franchot became romantically interested in one another. When production on Dangerous wrapped, the two went their separate ways.
Eventually, Davis became a huge star, overtaking Crawford. By the 1940s both stars were employed by the same studio, Warner Bros., where they had adjoining dressing rooms.
How much is Elizabeth Taylor's estate worth today?
It is believed that Elizabeth Taylor's net worth at the time of her death was between $600 million and $1 billion. The film icon structured her will as a revocable living trust.
Who did Katharine Hepburn leave her money to when she died?
Her incredible career garnered a long list of awards, and after dying of natural causes, the star left her great fortune mostly to her employees and a range of charities.
To fulfill a dream, to be allowed to sweat over lonely labor, to be given a chance to create, is the meat and potatoes of life. The money is the gravy.
They had one of the most scandalous and long-lasting feuds in Hollywood history, but throughout Bette Davis and Joan Crawford's history, there was just one thing that Davis said she'd "never forgive" her nemesis and one-time co-star. It didn't have to do with a role or one of their projects outshining the other's.
Bette was well aware of Crawford's reputation, saying at one point: “She slept with every star at MGM. Of both sexes.” At some point though, Crawford also moved in to seduce Davis, but Davis wouldn't have it. Perhaps in revenge, Crawford flaunted her affair with Tone, the object of Davis' desire.
Cain's “Mildred Pierce” — and that Bette Davis was the studio's first choice but eventually turned it down. Director Michael Curtiz did not want Crawford for the part and preferred Barbara Stanwyck.
She got Bette Davis eyes. She's not just captivating in her looks, she's got the chutzpah to back it up. She's bold, confident, and definitely skilled in the art of seduction. She seems to know what she wants and goes after it, but no partner is safe when under her spell.
Davis won Oscars on her first two nominations for “Dangerous” in 1935 and “Jezebel” in 1938. Strangely Davis won for arguably the two least acclaimed and remembered films of her 10 nominations. The other bids were for: “Dark Victory” (1939), “The Letter” (1940), “The Little Foxes” (1941), “Now, Voyager” (1942), “Mr.
