The result is at least three different aspect ratios. In conventional digital theaters, audiences see a 2.39:1 frame. From 70mm, the image really ought to be 2.2:1. That's different enough that camera operators care.
Yes, it was shot digitally on Alexa LF. But the image was transferred to 35mm to achieve the film feel. And then, scanned back to digital. If they done it correctly, there is no way that the digital is more sharp than 70mm.
According to the site, the non-IMAX theatrical release has a 2.39 : 1 format. Confusingly, at least two of the IMAX screening are, respectively, being shown in 1.43 : 1 ( IMAX GT Laser & IMAX 70MM ) and 1.90 : 1 ( IMAX Digital & non-GT Laser ).
All Nolan films since The Dark Knight in 2008, have 1.43:1 scenes, as do others such as Batman vs Superman (2016), First Man (2018), No Time To Die in 2021 and Dune: Part One (2021) and, of course, Dune: Part Two (2024).) However, dual laser and 1.43:1 is not a common combination.
Dune: Part Two was entirely filmed for IMAX 1.43:1 and 1.90:1 – whereas the original was largely filmed in Panavision (anamorphic) 2.39:1 with 1.65x Ultra Vista anamorphic lenses. That's a lot to compute, but all you really need to know is – Dune 2 in IMAX has come to claim the title of "World's Most Stunning Movie".
DUNE IMAX Footage | Standard VS. IMAX Comparison Side by Side
Is 70mm the same as IMAX?
IMAX 70mm is even bigger because film runs through the camera and projector horizontally, so each frame uses 15 perforations of the film compared to the vertical 5 perforations of regular 70mm. This makes the frames 3.4 times bigger than on 'standard' 70mm film.
Filmed for IMAX, "Dune: Part Two" was shot entirely with IMAX digital cameras and features IMAX-exclusive 1:90.1 expanded aspect ratio, as well as IMAX-exclusive 1:43.1 expanded aspect ratio in select locations.
Unlike the first movie the whole of Dune: Part Two is in IMAX format on IMAX screens – which is 1.90:1, except for 40 minutes or so in 1.43:1. However, unlike Oppenheimer, which was shot on IMAX film cameras, Dune: Part Two was “Filmed for IMAX” – that is, acquired on IMAX-certified digital cameras.
While the first Dune film's IMAX presentation jumped between standard cinemascope 2.39:1 and the larger 1.43:1 format (or 1.90:1 in IMAX digital theaters), Dune: Part Two was shot entirely in the IMAX format, switching between the very tall 1.43:1 aspect ratio, and the shorter (but still taller than normal) 1.90:1 ...
Discovery would push the title back due to the ongoing strikes. That seems to be the reason for the delay, as the Dune 2 cast and crew won't be able to promote Denis Villeneuve's sci-fi epic amid the strikes. Additionally, Warner Bros. Discovery is likely hoping to make its content supply last.
DUNE was shot entirely digital in both its IMAX footage along with regular footage, and this transfer retains the exact theatrical presentation, and even in some of its more black scenes even transcend the regular release version that I viewed theatrically.
Not what you might expect. Despite it all, Dune: Part Two was not shot at particularly high resolution. Fraser used Alexa 65 and LF. The 65 is capable of about 6.5 by 3K.
The previous Dune movie was shot partly on spherical lenses and partly on anamorphic lenses. In the sequel, the team went full in on spherical lenses while ditching the anamorphic lenses completely.
1) Dune does have guns. It has quite a range of projectile weaponry. It's just that they are not as effective as they are IRL because of the Holtzman shields. 2) You can not use shields on Arrakis, because they attract worms.
Dune: Part Two Will be Screened in IMAX 70mm (But Shot Digitally) - IMDb. Good news for 70mm enthusiasts — The anticipated Dune: Part Two will be screened in IMAX 70mm (in selected theaters of course). Say 'Thank You' to Nolan's Oppenheimer. But, it was shot digitally (and not on IMAX film cameras).
The second, and most important reason, is that Dune: Part Two in IMAX 70mm allows viewers to more fully immerse themselves into the world of Arrakis. The images have more weight to them due to the film stock; the textures of Arrakis look grittier, and the emotions conveyed feel more raw.
The 70 mm film is perforated at the same pitch (0.187 inch, 4.75 mm) as standard 35 mm film. With a five-perforation pull-down, the Todd-AO system provides a frame dimension of 1.912 inch (48.56 mm) by 0.87 inch (22.09 mm) giving an aspect ratio of 2.2:1.
DUNE: PART TWO will be proudly presented at select IMAX 70mm film locations. Cinema purists know that an epic this expansive must be viewed on the screens it was made for.
Legendary Entertainment had officially announced that Villeneuve will helm a third "Dune" movie, "Dune Messiah," as reported by Entertainment Weekly. However, fans may need to exercise patience as Villeneuve's next project will be an adaptation of "Nuclear War: A Scenario," a nonfiction book by Annie Jacobsen.
in the case of Dune 2, their use of 1.43:1 is entirely up to what they desire and is not shaped by limitations of the camera making too much noise like Imax 70mm film, so the selection of 1.43:1 sequences was entirely by creative choice. Yes, it's exactly what the director intended.
How much did Timothée Chalamet get paid for Dune 2?
That all plays a part, but Chalamet making $3M for part 2, along with every other actor making less, is what I think really does it. A lot of these big budget action films have insane salaries, like Hemsworth making 20 million for Thor 4. Chalamet made an investment in himself.
