Orson Welles, one of Kubrick's strongest personal influences, famously said: "Among those whom I would call 'younger generation', Kubrick appears to me to be a giant."
What does Martin Scorsese think of Stanley Kubrick?
Personally speaking, I've watched and studied Kubrick's work repeatedly over the years. He was unique in the sense that with each new film he redefined the medium and its possibilities. But he was more than just a technical innovator. Like all visionaries, he spoke the truth.
A film that manages to handle and execute copious amounts of topics and experiences, it is no wonder that Citizen Kane also sits in the top ten of Stanley Kubrick's favorite films.
The late, legendary filmmaker once told Dick Cavett he did not believe Citizen Kane was the greatest of all time, which the host of the classic talk show was baffled to hear. “No, certainly not,” Welles replied to the question about Kane being the finest film ever made.
One of the long-standing controversies about Citizen Kane has been the authorship of the screenplay. Welles conceived the project with screenwriter Herman J. Mankiewicz, who was writing radio plays for Welles's CBS Radio series, The Campbell Playhouse.
What did Orson Welles say at the end of Citizen Kane?
Everyone knows his last word was “Rosebud”, including Jed Leland, because it was reported in the papers. The butler, Raymond, is the one who heard it, as he confirms to Thompson the reporter (William Alland). What statement was Orson Welles attempting to make in the film “Citizen Kane”? Quin.
Kubrick mentioned many times over his career a love for Max Ophüls films. Ophüls, Fellini and Bergman were commonly mentioned as Kubrick's favorite directors. He also loved Chaplin films, but not for the direction, rather for the stories themselves.
Stanley Kubrick thought the film had the best cast ever and could be the best movie ever made. Thoughts on The Godfather ? Follow: @robert_de_niro_offical.
I Vitelloni – Federico Fellini, 1953. Wild Strawberries – Ingmar Bergman, 1957. Citizen Kane – Orson Welles, 1941. The Treasure of the Sierra Madre – John Huston, 1948.
Most theorists peg Einstein's IQ score between 160-190. Because he never took any kind of test to measure his intelligence, the definite score is still a mystery. But without a doubt, he was a brilliant man with an incredible brain.
Stanley Kubrick can be described as an auteur filmmaker. Throughout his illustrious career, he showcased a signature style and distinct approach to filmmaking. One hallmark of Kubrick's work was his meticulous attention to detail, evident in every frame of his films.
Kubrick was an utterly ruthless and demanding task master, who generally asked the impossible, and often showed no regard or remorse for the very real psychological and physical damage his absurd demands caused his actors. He was inconsiderate in the extreme, and sometimes sadistic to the point of wanton cruelty.
While Kubrick admired the novel, he found it unsuitable for his vision partly because it was written in the first person. But he respected Johnson's work and would call on her for help. When, in July 1976, John Calley sent Kubrick galley proofs of Stephen King's manuscript of The Shining, he had found his source.
What is the scariest movie according to Stanley Kubrick?
Of course, Kubrick's adaptation of Stephen King's The Shining is considered one of the most terrifying horror movies on record. But the director was also inspired by fellow horror films and filmmakers working at the top of their game.
I believe you are the greatest film-maker at work today […], unsurpassed by anyone in the creation of mood and atmosphere, the subtlety of performance, the avoidance of the obvious, the truthfulness and completeness of characterization.
What word was never mentioned in the film The Godfather?
The Italian American Civil Rights League was concerned about the depiction of Italian Americans in The Godfather. What one word was omitted from the script that allowed the filmmakers to reach a settlement with the group? That one word is “Mafia,” which is never mentioned in any of the three Godfather movies.
Why Jack Nicholson Turned Down The Godfather, Explained - IMDb. Nicholson turned down The Godfather due to personal preferences, opting for projects he found more intriguing and personal. He believed Chinatown and The Last Detail had stronger scripts than The Godfather and The Sting.
In 1961, Kubrick left the U.S. due to concerns about crime in the country, as well as a growing dislike for how Hollywood operated and creative differences with Douglas and the film studios; he settled in England, which he would leave only a handful of times for the rest of his life.
The technique can be traced in almost all of his films, although it finds its 'official' origins in A Clockwork Orange. Throughout the movie, Malcolm McDowell's menacing protagonist, Alex DeLarge, glances at the camera with a terrifying stare as if acknowledging the audience's presence.
Paths of Glory also featured a fine screenplay by Calder Willingham, cult novelist Jim Thompson, and Kubrick, who nearly always did the lion's share of the writing on his films' scripts regardless of his collaborators.
On a technical level, Citizen Kane is important for the innovative lighting and focusing methods of its cinematographer, Gregg Toland, and the dramatic editing style of Robert Wise. It was Orson Welles's debut as a film director, and it has been hailed by many critics as one of the greatest movies of all time.
"Rosebud is the trade name of a cheap little sled on which Kane was playing on the day he was taken away from his home and his mother. In his subconscious it represented the simplicity, the comfort, above all the lack of responsibility in his home, and also it stood for his mother's love, which Kane never lost."
Many observers have concluded that Welles' career went downhill after Citizen Kane. In fact, throughout his career, Welles took less prestigious jobs, such as bit parts on the radio in the 1930s and TV commercials later in his life, to pay for the work he truly wanted to do.
