' Zed chose Marsellus 'randomly' and he and Maynard brought Marsellus to the back room. They bent Marsellus over a vaulting horse in the room and Zed raped Marsellus while Maynard cheered him on. Butch managed to untie himself and knocked The Gimp out.
Zed arrives and tells Maynard to wake up their slave, the "Gimp," and chooses Marsellus with a game of "eenie meenie miny moe". Leaving The Gimp to watch over Butch, they take Marsellus into the back room, bend him over a vaulting horse and begin to rape him.
As Butch is about to kill Marsellus, Maynard pulls out his shotgun, and holds the two hostage. Zed then shows up, and rapes Marsellus. While Zed is raping him, Butch breaks free and takes a samurai sword from the shop to kill Maynard.
They are a pair of brothers who run a pawn shop, which they use as a front to kidnap, torture, and rape men in Los Angeles, one of whom is crime boss Marcellus Wallace and the other one is underground boxer Butch. Zed was portrayed by Peter Greene and Maynard was portrayed by Duane Whitaker.
He is best known for the roles in the 1994 films The Mask, where he plays its main antagonist, Dorian Tyrell, and Pulp Fiction, in which he portrayed Zed, a sadistic security guard, rapist and serial killer who serves as an antagonist in the film.
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Did Zed's dead get their name from Pulp Fiction?
By 2009, the duo was a nascent electronic duo, Zeds Dead, named after a line in the movie “Pulp Fiction.” Mamid and Rapp-Rovan began working the remix/festival/EP circuit, signing to Diplo's label, Mad Decent, then forming their own, Deadbeats.
Most notably the scene in which a man is shot in the head while sitting in a car and there's a large explosion of blood and the car and people in it get covered with blood and brain matter. They later spend a scene cleaning it up. A man injects heroin into his arm.
Maynard is a major antagonist in the 1994 crime film Pulp Fiction. He is a pawn shop owner, rapist, and implied serial killer who victimizes men that he and his brother Zed kidnap.
Marsellus wanted Butch dead, but after going through a series of unexpected and traumatic events together, Butch saved Marsellus – and a theory suggests it's because he was honoring the story Captain Koons (Christopher Walker) told him about his father.
Marsellus Wallace is the main antagonist of the 1994 crime film Pulp Fiction. He is the crime kingpin of Los Angeles, the husband of Mia Wallace and the boss of Vincent Vega and Jules Winnfield.
The most popular theory is that it's Marcellus Wallace's soul, hence the case's glow, the Band-Aid on the back of Wallace's head (where the soul is removed) and the combination – 666.
Those with an understanding of how boxing bets work have explained that it was financially better for Butch to bet on himself, betray Marsellus, and run away with the money, though the question remains as to why he took such a big risk, as Marsellus and company were obviously going to retaliate.
Summaries. The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.
Vincent says “this is a moral test of oneself, whether or not you can maintain loyalty, because being loyal is very important”. Marsellus' plan, then, is to use Mia to test how loyal his men are, and she “throws herself” at them not because she feels lonely but because it's part of the test.
Zed is one of the most morally ambiguous characters in the series, having both heroic and villainous moments in his history. may be seen as a hero because he wants to defend Ionia from Noxus and take justice into his own hands, but also a villain due to his mercilessness and slaughtering the Kinkou temple.
Butch breaks free and is about to escape, but decides to save Marsellus and arms himself with a katana from the pawnshop. He kills Maynard and frees Marsellus, who shoots Zed in the crotch with Maynard's shotgun.
Afterwards Zed was tortured, mutilated and killed by Marsellus' men. Butch would take Grace (the chopper) as his new getaway vehicle out of the city with his girlfriend Fabienne, telling her that it had belonged to Zed and that "Zed's dead, baby. Zed's dead."
What happened to Butch at the end of Pulp Fiction?
Marsellus then calls off the contract on Butch's life, as long as Butch never mentions the rape to anyone and leaves Los Angeles permanently. Butch heads back to the motel and reconciles with Fabienne, and they both flee on Zed's chopper to catch a train to Tennessee.
He calls Butch a “palooka” which is a boxing-related insult, meaning, basically, a fighter who's not good at fighting, following that up with “Punchy” in a mocking tone. It's possible Vincent even bet money on Butch and assumes he will now lose it, knowing, or thinking he knows, that the fight is fixed.
Apparently, The Gimp is a hitchiker who fell victim to Maynard and his brother. Plus, Tarantino intended for the poor guy to die by the end of the film: “It doesn't quite play this way in the movie, but in my mind when I wrote it, the Gimp's dead. Butch knocked him out and then when he passed out he hung himself.
The part of Jules Winnfield was originally to be played by Paul Calderon but Samuel Jackson liked the part so much he flew out to California to audition for the part again to ensure that he got the part. Jules claims to have a girlfriend that doesn't appear in the film.
Throughout the film, Vincent Vega (John Travolta) can be seen on the toilet and every time he goes to the bathroom, something bad happens. Many have seen it as a typical postmodern digression to subvert narrative conventions but there's also a simple reason for this recurrence.
Quentin Tarantino utilizes non-linear narrative in Pulp Fiction primarily as a tool to introduce the characters multiple times, through different character's perspectives, in all three timelines.
The scene is not apparently 100% accurate. Many people say have said that the drug naloxone would be a better cure than epinephrine, especially if Wallace's heart was still beating. Regardless of this criticism, Pulp Fiction does get some things right about drug abuse. For one, Mia Wallace mistakes heroin for cocaine.
Why Pulp Fiction Isn't In Chronological Order. While Quentin Tarantino's decision to tell the Pulp Fiction plot out of chronological order was partially stylistic, as he had just done so for the timeline of 1992's Reservoir Dogs, the nonlinear format also has a purpose in making the entire story more compelling.
