However, soon after, a colossal chain shoots out of the ceiling of his mansion and pierces his healed chest. The chain then pulls him into what seems like the Cenobite realm. In Hellraiser's closing scenes, Roland Voight gets flayed and needled by a powerful force that ultimately turns him into a Cenobite.
Hellraiser ends with Roland's transformation into a Cenobite, in what can be a debated finale. Pinhead notes how Roland isn't worthy as she first presumed since he complains about physical anguish that other Cenobites would salivate over — why offer him Leviathan immortality as a Cenobite?
Voight sought new, pleasurable sensations after completing all of his sacrifices, and his "reward" was a contraption attached to him to twist his nerve endings at random times, leaving him in constant pain.
Leviathan, also known as the God of Flesh, Hunger and Desire, is the overarching antagonist of the Hellraiser franchise. It is the "deity" residing inside the extra-dimensional world known as the Labyrinth who is the overlord ruling the Cenobites, including their masters Pinhead and the Engineer.
Hellraiser Hell on Earth (1992) Pinhead Is Set Free
Who is the most powerful being in Hellraiser?
Described by Doug Bradley as stronger than Jason Voorhees and Michael Myers, Pinhead is an extremely powerful being with supernatural abilities. His preferred method of attack is to summon hooks and chains that mutilate victims, often tearing them apart.
Judgment is the first Hellraiser film to include heaven in its mythology. According to Tunnicliffe, he took influence from The Scarlet Gospels, stating "I am in no way religious, but if you are writing a story that acknowledges the existence of Hell, then you have to acknowledge the existence of Heaven.
Freddy Krueger is the main antagonist of Nightmare on Elm Street and a major antagonist in the Gray Chronicles. Freddy is a member of the Cenobite council and the rival of Laughing Jack. He is also the most feared and dreaded enforcer of Zalgo, even more so than Pinhead.
After killing J.P. and releasing Pinhead, Terri was turned into the Cenobite known as Dreamer. It was one of the worst Cenobite designs, particularly because Dreamer had no real powers in comparison to her brethren. She was also far more human in appearance than the rest, which didn't add much to her own malevolence.
In the final scene, Roland Voight (Goran Višnjić), an incredibly wealthy character, becomes a Cenobite. This ending works because there could be another Hellraiser movie in the future and perhaps Voight would become a villain.
For a franchise so famous for its kills, Matt's death might be a disappointment to some. The likable brother of Riley is an unfortunate victim of the Cenobites when he is cut by the Lament Configuration. Many expected to see his demise, but his kill is done entirely off-screen.
In the final scene, Voight's body is ripped and torn into new shapes so that he resembles a Cenobite himself. Of course, there are many ways that this could be interpreted. Voight's transformation could be seen as a metaphor for the corrupting nature of power or the cycle that turns victims into persecutors.
Spanning several generations, this final bloody entry in Clive Barker's horror tour de force acts both as prequel and sequel to the original Hellraiser films.
Leviathan is obsessed with law and order, and views the human realm of flesh as chaotic and wrong. It uses the Cenobites as its foot soldiers in the war against chaos and flesh. The Labyrinth which it presides over represents the maze of the mind.
The original book that it's based on, The Hellbound Heart, was suggestive of a female Pinhead, and the comic books also explored the idea. There's also plenty of fan art, wonderful works that all theorized the possibility of Pinhead as a woman. So it only felt appropriate to us.
Candyman is a Cenobite. Both stories which Hellraiser and Candyman are based off of are by Clive Barker. Each character only causes mayhem when they are summoned. To top it off all they know after their deaths are pain and pleasure.
Humans can actually kill and vanquish Cenobites if they possess holy, magical weapons or an artifact, like in the case of Dr Paul Merchant who permanently kills Pinhead and all his Cenobite cohorts using the Elysium Configuration.
He even speaks to this neutral aspect of his character when he tells Kirsty that he and the other Cenobites are "Demons to some. Angels to others." Therefore, an encounter with Pinhead is akin to being caught in a natural disaster - neither evil nor good.
Edward, then, is a Cenobite, which is why he has scissors instead of hands, he's so pale, and he wears black leather clothes that look very similar to the ones the Cenobites usually wear.
Its plot involves a mystical puzzle box that summons the Cenobites, a group of extra-dimensional, sadomasochistic beings who cannot differentiate between pain and pleasure. The leader of the Cenobites is portrayed by Doug Bradley, and identified in the sequels as "Pinhead". Hellraiser was filmed in late 1986.
In in the original text, the Cenobites are unnamed and are described as asexual beings who have been marred and modified so horribly, they bear little resemblance to the human form. Barker is surprisingly vague in describing the Cenobites in great detail.
The Cenobites are disfigured, sexless, sadomasochistic entities tasked with capturing whoever solved the riddle of the demonic puzzle box known as Lament Configuration and submitting them to extreme physical torture, an act meant to reveal all of the hidden pleasures of intense pain.
The Lament Configuration Box is a cubic puzzle that people need to solve to summon the Cenobites. Since the Cenobites come from a dimension of unbounded pleasures and pain, people solved the Lament Configuration Box hoping to experience things unknown on Earth.
The Hellraiser reboot movie includes a female version of Pinhead, but this change to Hellraiser movie tradition actually closer to the character's original depiction.
