They chose Cooke S4 lenses for the 1.37 black-and-white spherical sequences, having been impressed by how they rendered actors' faces on previous productions. For the 2.40 colour sequences Yeoman worked with ARRI Anamorphic lenses which he and Anderson also used on past films.

What lens did Robert Bresson use?

Famous international filmmakers like Robert Bresson and Yasujiro Ozu also preferred the 50mm and would make adjustments to their sets to accommodate the lens.

What lens do they use in movies?

And while on paper it may not seem or sound like the most exciting lens choice, keep in mind that the 28mm lens has been a gold standard in shooting motion pictures for over a century, being used to capture some of the most recognizable moments in cinematic history.

How did they get the colors in Asteroid City?

How did you develop the film's color palette with Wes Anderson and with the costume and production designer? Wes comes up with the main ideas, and then we shoot a lot of tests in prep. Milena Canonero, the costume designer, brings different swatches of cloth and Adam paints different walls in various colors.

What kind of camera in Asteroid City?

Yeoman shot Asteroid City using an ARRICAM ST 35mm film camera, variously framing the action in 1.37:1 aspect ratio using Cooke S4 lenses and 2.40:1 with ARRI Master Anamorphics.

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What style is Asteroid City?

Asteroid City (or "Asteroid City") is a 2023 American comedy-drama film written, directed, and produced by Wes Anderson, from a story he wrote with Roman Coppola.

Does Wes Anderson use 35mm?

Anderson and cinematographer Robert Yeoman mostly use 35mm film cameras and extremely wide anamorphic lenses that help create a deep depth of field and panoramic layout. The Arricam Studio (ST) (pictured here) and Lite (LT) 35mm film cameras were used to film Wes Anderson's 'French Dispatch' and 'Asteroid City'.

Why does Asteroid City look different?

Anderson (or rather production designer Adam Stockhausen, another frequent collaborator) built the titular Asteroid City from scratch in the Spanish desert. It looks new-built, and that's fine. A little bit of visible artifice is entirely appropriate to the story.

How did they shoot Asteroid City?

The film was shot on the Arricam LT and Arricam ST with Cooke S4 and Zeiss Master Anamorphic Lenses. It's a Wes Anderson flick, which means a planimetric composition with room-to-room tracking shots and whip pans that usually provide a comedic reveal or some kind of periscope effect.

What is a 28mm lens best for?

28mm gives you more depth in your street photography

One of the biggest benefits of shooting with a 28mm lens is that you get more depth of field. Meaning, more of your photos are sharp and in-focus. I think bokeh (shooting wide-open, having the blurry background) is one of the most overrated things in photography.

When to use 35mm or 50mm lenses?

A 35mm lens, named for its focal length, provides a wide field of view making it perfect for capturing expansive landscapes or tight interior shots. On the other hand, a 50mm lens, often referred to as a 'nifty fifty,' offers a narrower perspective, ideal for portrait photography or detailed close-up shots.

Is 35mm lens good for filming?

35mm prime lenses are popular picks for filmmakers, often for many of the same reasons they are loved by photographers. The natural framing, great balance between the focal point and background separation and the overall versatility of the 35mm focal length are just some of the reasons why this lens is so great.

Is 50mm closest to the human eye?

On a 35mm film camera, or Full Frame Digital camera, something around 50mm gives a similar perspective to the human eye, but it gives a narrower field of view.

What movies were shot on a 35mm lens?

What lens did Stanley Kubrick use?

Kubrick, a fanatical perfectionist, scoured the globe in search of a lens that could work, eventually discovering one of the largest relative aperture lenses in the history of photography: the famed Carl Zeiss Planar 50mm f/0.7.

Does Asteroid City use CGI?

Asteroid City would not work if it was a CGI green-screen situation. It needed to be tangible for such an outlandish script and characters. The grounding of a real place helped that. While the script may seem a bit bloated and convoluted in some places, Anderson uses that to his advantage.

Why did people not like Asteroid City?

'Asteroid City' is a heartless, soulless exercise in pretension; a meandering mess of a motion picture. Though it boasts some fine performances, there's very little on offer in 'Asteroid City;' and it's certainly not a place you'd want to call home.

Was Asteroid City a flop?

Per The Numbers, "Asteroid City" pulled in just shy of $43,000 over Labor Day weekend domestically, which was just enough to put it over the top. It now sits at $28.1 million domestically to go with $22.4 million internationally for a grand total of $50.5 million.

Why does 35mm look so good?

“When filming on 35mm, each frame consists of a single image taken when the footage is shot. However, when it is filmed digitally, each frame on screen consists of thousands of tiny pixels that are put together to create the image. This gives footage shot on film a more subtle and accurate depiction of the images.”

Does anyone use 35mm film anymore?

Yes! 35mm is still made and is by far the most popular film format that we sell.

What aspect ratio is Asteroid City?

Theatrically, the film is presented entirely within a 2.39:1 frame; the corresponding academy ratio 1.37:1 scenes are windowboxed within that frame. The Blu-Ray, DVD, and streaming version presents everything within a 1.78:1 framing, letterboxing the 2.39:1 segments and pillarboxing the 1.37:1 segments.

Is Asteroid City widescreen?

The film moves from a small 1.37 black-and-white aspect ratio to widescreen colour as it follows the different stories. In these widescreen shots, Asteroid City returns to the pastel colours that could be considered one of the hallmarks of Anderson's work.

Why is Asteroid City so bright?

Yeoman: Wes originally came to me, and he said his concept was to shoot everything in Asteroid City with natural light—so no movie lights. We constructed these structures with the skylights that we could control a little bit with silks, so that we wouldn't have to use any movie lights.

What are the black-and-white scenes in Asteroid City?

These scenes, shot in black-and-white and Academy ratio, are a performance, too — they're presented as dramatizations for the television program that's broadcasting the live production of Asteroid City.