In 1953, 20th Century Fox returned to the concept and began using the CinemaScope process to make widescreen movies, such as The Robe and How to Marry a Millionaire. Widescreen grew in popularity during the 1950s, and since 1960, nearly every American feature film has been widescreen.
For TV, the original screen ratio for broadcasts was in 4:3 (1.33:1). Largely between the 1990s and early 2000s A.D., at varying paces in different countries, 16:9 (e.g. 1920x1080p 60p) widescreen displays came into increasingly common use by High Definitions.
Also pronounced sixteen-nine, sixteen-to-nine, sixteen-by-nine, or 16 by 9. Also known as 1.77:1/1.78:1, this aspect ratio was developed in the 1980s and '90s. It became the default for high-definition television sets, screens, and monitors since the 2000s.
What was once the standard aspect ratio of motion picture film, began to fizzle out as early as the 1950's when various widescreen formats were introduced, such as cinemascope. But even as film moved away from 4:3, television still hung on to the aging format long after.
About sixty years ago, Hollywood settled on the idea that a movie with a width about 2.35 times its height, written as an aspect ratio of “2.35:1”, delivered the best experience for most content when shown on the big screen of commercial theaters.
Aspect ratios explained | How do aspect ratios work? | Why do some movies and shows have black bars
Why are movies not full screen anymore?
Check the aspect ratio of the program or movie that you're watching. Some programs aren't in full screen when produced. Some movies are in a 21:9 cinema format which will show black bars on the top and bottom when you view them on a widescreen (16:9) TV.
From what I can recall, they are kept at 1920*800 to have an aspect ratio that matches theater aspect ratio (2.40:1). Not all devices have aspect ratio of 16:9, you know. If it were 1920*1080, it would look better on television sets or laptops but since theaters don't utilize 16:9, they just keep it at 1920*800.
The reason why today's standard TV is of 16:9 is because it is the geometric mean of the most two common extremes of the ratios — 4×3 and 2.39. In each time period, the aspect ratio was changed in a way to offer something new to the movie goers and to keep the movie theater alive.
Yep, 8 years ago. “Say what?!” Movies were filmed and shot on celluloid film, typically 35mm stock. Hollywood started to capture films digitally in the 2000s, but it wasn't until 2013 that digitally shot films were more common than celluloid productions.
By 1954 over half of the households in the US had a television. Consumers were conveniently staying at home with their new TVs, many of which had an AR of 4:3 or 1.33:1. The movie studios needed to come up with a way to get people back into the theaters. As a result, the widescreen format was born.
Director Darren Aronofsky presents this film in an aspect ratio of 4:3, which was the universal standard for 35 mm celluloid. Aronofsky though shot this film using a digital camera, so the aspect ratio isn't done out of respect to traditional celluloid but more to emphasize his protagonist and his weight.
Although the technology behind the CinemaScope lens system was made obsolete by later developments, primarily advanced by Panavision, CinemaScope's anamorphic format has continued to this day.
The widescreen format allowed wider framing of TV shots, as well as being a better fit for films on TV without the use of large black bars at the top and bottom of the picture, called letterboxing or cropping the video.
Widescreen programming was introduced on digital platforms in 1998. For the first 50 years of its existence, with the exception of films and programmes purchased from the United States and elsewhere, almost all the channel's output were produced by the BBC's in-house production departments.
By the mid-1950s, more than half of the homes in the US had a television set and the movie industry worried people would stay home instead of visiting their theaters. They needed to come up with a plan to get people back in the theaters and it was at that time widescreen movies and theaters took off.
For instance, Star Wars (1977) was filmed in 2.39:1 ratio using an anamorphic camera lens, and shown in theaters using the corresponding projector lens. Since it is a widescreen film, when encoded on a widescreen-format DVD the studio would almost certainly use the anamorphic encoding process.
Our general rule of thumb is that anything under 10 years is pretty good. You will see some minor color shifts, your blacks will start to turn blue, maybe some indoor shots taken without a flash will be too dark, and so on. 10-20 years will see some noticeable deterioration.
The equipment to produce film is no longer being produced so everyone is trying to maintain what they have the best they can. The environmental costs continue to rise, especially around chemicals, which have a direct impact on the cost to manufacture film.
The shift from 16:10 to 16:9 was met with a mixed response. The lower cost of 16:9 computer displays was seen as a positive, along with their suitability for gaming and movies, as well as the convenience of having the same aspect ratio in different devices.
The resolution 1920×1080 (1080p) is quite a bit wider than it is tall. The ratio of its width to height is 16 to 9, represented as an aspect ratio 16:9.
To compete, film adopted ever-wider stances: Cinerama (2.59:1), VistaVision (1.85:1), and later IMAX (1.43:1). These allowed for sweeping vistas, grander action, and, in general, extra stuff to be shown within the frame. The 4:3 ratio was abandoned for wider pastures, both literally and figuratively.
1080p looks blurry because you're using a 1360x768 monitor. The pixels don't align because 1080 is not a multiple of 768, which means the pixels you're rendering overlap multiple pixels on your monitor. If you want to display 1080p without it looking blurry, you need to get a 1080p or 4K (2160p) monitor.
Hess explains that 24fps was chosen because a new modern standardization of frame rate had to be initiated due to the introduction of sound. 24fps was chosen because of math; it is an easily divided number, and editors can work out specific time cuts based on the number of frames.
1080p is perfectly fine. It's still, by far, the most used resolution according to steam stat. Also, it keeps your overall cost of gaming lower. Going up a new resolution isn't just about buying a new monitor.
