Thus, while the monster is disabled by others' perception of him as “ghastly and distorted,” he boasts greater speed, stamina, and agil- ity than humans. These traits contribute to his monstrosity, suggesting supernatural potency and capacity to harm, but they do not mark him as inferior or impaired.
Victor's hallucinations are so powerful that he can even feel the monster attacking him. The fact that Victor suffers from hallucinations and is socially withdrawn point to him having paranoid schizophrenia. There is one more symptom that is common among schizophrenics, and that is delusions.
What is the physical description of Frankenstein's monster?
Shelley described Frankenstein's monster as an 8-foot-tall, hideously ugly creation, with translucent yellowish skin pulled so taut over the body that it “barely disguised the workings of the arteries and muscles underneath,” watery, glowing eyes, flowing black hair, black lips, and prominent white teeth.
The novel suggests that the creature cannot be accepted as human because he is a singular being, and therefore cannot be a part of a community. Since Victor made the creature, there is not another being that is the same as him. He is singular in appearance, and in the way he was made.
Yet several generations later Mary Shelley's monster, having resisted his creator's attempts to eliminate him in the book, is able to reproduce himself with the variety and fertility that Frankenstein had feared.
Should we feel bad for Frankenstein's monster? | Character analysis | GCSE top grade
Is Frankenstein's monster immortal?
Assembled from corpses and jolted to life, Frankenstein's Monster is many things—intelligent, sensitive, immortal—but mostly, he's a patchwork man seeking his place in the world.
If Victor Frankenstein had created a bride for his monster, mankind would have been wiped out within 4,000 years, a new research paper concludes. Dartmouth University scientists studied Mary Shelley's 1818 Gothic masterpiece and concluded that it could have had a much more horrific ending.
Pierce's decision to paint Karloff's skin a greyish green was a conscious choice to play on these limitations, distinguishing the monster from the rest of the cast by giving him a skin color that would be captured as a ghostly white on film.
One of the more remarkable points I find in Mary Shelley's Frankenstein is when the monster, watching cottagers and their daily lives, stumbles upon books and reads these texts in an effort to make himself more “human.” The monster, a creation of scientific experimentation and not human by birth, seeks to become more ...
(Shelley 35) Victor's desire for the creature to have beautiful features fails, resulting in the creature's ugly “watery eyes” and “straight black lips” (35). Additionally, though “his hair was of a lustrous black, and flowing,” something that could be understood to be beautiful becomes something ugly.
Why does Frankenstein destroy the monster's female companion?
Why does Frankenstein destroy the Monster's female companion? Frankenstein decides that he has a moral duty to destroy the female companion he is making for the Monster. He realizes that even if the Monster is not innately evil, he can't be sure the female companion won't turn out to be evil.
Throughout the novel, Victor Frankenstein undergoes a great amount of psychological trauma during his early adult life. At the age of seventeen, he suffers from the loss of his mother, and the traumatic effects of her death are what lead him to create the creature.
Instead, his unhealed grief is exacerbated by the emotional weight of familial obligations and channeled into his work as he practices avoidance of despair through his obsessive act of creation.
Mary Shelley subtitled Frankenstein the "Modern Prometheus," but she could have also referred to it as the "Modern Narcissus." Victor exhibits, in fact, all the characteristics of the narcissistic personality disorder as defined in DSM-III: a grandi- {59} ose sense of self-importance; preoccupation with fantasies of ...
The best-known image of Frankenstein's monster in popular culture derives from Boris Karloff's portrayal in the 1931 movie Frankenstein, in which he wore makeup applied and designed by Jack P. Pierce, who based the monster's face and iconic flat head shape on a drawing Pierce's daughter (whom Pierce feared to be ...
Victor Frankenstein wants to create life, as God created life in the Bible. The name of his creature is Adam, as God's first creation of mankind was named. But Frankenstein's creature also represents evil and darkness, and the use of fire as destructive and punishing mirrors the Biblical concept of the fires of Hell.
Frankenstein's Monster is described as being 8 foot (2.4 m) tall in Mary Shelley's novel, Frankenstein (1818). Frankenstein's Monster was first portrayed by 5 foot 11 inch (1.8 m) tall Boris Karloff in Frankenstein (1931) with the assistance of lifted boots.
I have myself been blasted in these hopes, yet another may succeed. These are Frankenstein's last words. Throughout his conversations with Walton, he has warned Walton about the dangers of ambition, but at the last moment he takes his warning back.
Human beings made him declare “war” by treating him like an enemy. The Monster feels completely alienated: “none among the myriads of men” will take pity on him. In this way he resembles Frankenstein, who alienates himself by pursuing forbidden knowledge.
The monster wants companionship and love but is rejected at every turn, even by his maker. The monster carries out his dark promises, and Victor concludes his days in the same solitude he condemned his creation to, fueled like the monster by the desire for revenge.
The monster wants Victor Frankenstein to create a mate for him. He says that his monstrous behavior is due to not having a companion like him and that if he had a mate, he would live peacefully with her and far from humanity.
Victor decides not to create a mate for the creature because he realizes the consequences behind creating a new life and not taking full responsibility for this creation.
