For, it is through science that the monster gains his being; the humanities only complicate his situation and make him realize that, indeed, he is not human, and as a creation of science he is simply not what he hopes to be.
The creature is intelligent and is able to speak and reason, yet is not recognized as a human by society. He is able to voice his concerns, but due to the way he looks he cannot be considered human and is therefore denied the rights of man. This means he is unable to defend his crimes as a human normally would.
Moreover, he subsides entirely on vegetation until he is chased by Victor and forced to kill to keep him alive. Without the influence of human society, the creature would remain as innocent as he was at conception. Therefore, he is not truly a monster.
Perhaps Victor is hinting at the fact that he is aware of his dual personality and that he knowns he is ultimately responsible for the death of his brother. This suggest, that there is no separate entity known as the “monster,” and it is just a figment of Victor's imagination.
Victor Frankenstein needs corpses to construct his monster and he gets them in the main from "vaults and charnel-houses" (Frankenstein, ed. Joanna M. Smith, 54; this is the edition of the 1831 text that Marshall uses and that I shall continue to cite).
What would Frankenstein's monster really look like?
Unfortunately, despite the hand-picked features of the creature, he wasn't as beautiful as Dr. Frankenstein intended. His limbs were in proportion like the average human, his hair was jet black and flowy, and his teeth were pearly white, yet his yellowish skin barely covered the veins and such underneath.
He even claims that he has committed the murders that have been, in reality, done by the monster because he remarks he is “not indeed, but in effect was the true murderer” (Shelley 72). These are the clear indications that the monster is his mirror, alter ego, the other side, and the double goer.
Victor Frankenstein is the protagonist of Frankenstein. His goal is to achieve something great and morally good, which will secure him a lasting reputation. In pursuit of this goal, he creates the Monster, but his pursuit of his goal also causes his conflict with the Monster.
Human beings made him declare “war” by treating him like an enemy. The Monster feels completely alienated: “none among the myriads of men” will take pity on him. In this way he resembles Frankenstein, who alienates himself by pursuing forbidden knowledge.
He takes the lives of Clerval and Elizabeth-- both innocent victims. The monster intensely desires to be a part of society and if the only way he can participate in society is to indulge in evil, then he will. Thus, the being truly becomes the monster that society had feared from the start.
He regrets what he has done. While Frankenstein dies feeling disturbed that the Monster is still alive, the Monster is reconciled to death: so much so that he intends to commit suicide. The Monster's decision to kill himself also confirms the importance of companionship.
Frankenstein's monster is often cited as the first cyborg (Gray, Mentor, Figueroa-Sarriera, 5). Not born of woman, Frankenstein assembled his monster on the operating table.
In the 1818 novel by Mary Shelley, Frankenstein's Monster does not have a specific love interest, although he does wish to love and be loved by someone. However, all humans seem to fear and hate him, so he asks Victor Frankenstein to create a companion, or wife, for him who is also a Monster.
Magic inflates science, and science impedes magic, and the result is a terrible miscreation, a machine-man made of vulnerable flesh, a golem estranged from all animating spirit, a homunculus bred not from the womb but from the grave. Perhaps, then, Frankenstein's creature is after all alone.
The monster wants companionship and love but is rejected at every turn, even by his maker. The monster carries out his dark promises, and Victor concludes his days in the same solitude he condemned his creation to, fueled like the monster by the desire for revenge.
The Monster hates Frankenstein for abandoning him after his creation: “He had abandoned me: and, in the bitterness of my heart, I cursed him.” The Monster is also angry with Frankenstein for making the Monster the only one of his kind: “I was dependent on none and related to none.” The Monster also feels hatred and ...
Answer and Explanation: Frankenstein's creature is afraid of fire because fire is deceptive. When he first sees it, he is delighted by its brightness, color, and warmth.
To avoid fiddly surgery he builds the creature on a massive scale, some 8 feet (2.4 m) in height. Frankenstein is initially just like any expectant parent, boasting of the beautiful features selected for his creation.
In the novel he is never given a specific name, that's why he is just called “the creature”, “the monster”, “Frankenstein's creature” or “Frankenstein's monster”, some argue that he dubbed himself “Adam” and recognized himself as Victor's son making him Adam Frankenstein, but even that is spurious, he does not get the ...
The Monster then kills Frankenstein's friend Henry Clerval. True to his word, the Monster kills Frankenstein's new bride, Elizabeth Lavenza, on the night of his wedding; he is also indirectly responsible for the death of Frankenstein's father, who dies of grief after Elizabeth's body is found.
Why does Frankenstein destroy the monster's female companion?
Given these potential consequences, Victor decides he would be selfish to provide the creature a mate to save himself from the creature's persecutions, so he destroys the female. It is a decision based on projected outcomes, but it misses the extent of the ethical problem.
Do we know how tall Frankenstein's monster is? In the novel, Victor says he created the Creature in “gigantic stature…about eight feet in height and proportionately large.” (He does this to make it easier to work on the body.)
