While Frankenstein dies feeling disturbed that the Monster is still alive, the Monster is reconciled to death: so much so that he intends to commit suicide. The Monster's decision to kill himself also confirms the importance of companionship.
The boat captain finds his body and the monster who mourns Victor's death in the room. The Creature disappears from the boat to kill himself. Victor and the monster die in the end.
Tonios is correct. In Shelley's book, the Creature does not die. After discovering that his “father” was dead from pneumonia the Creature intends to immolate himself at the farthest northern reaches of the globe. The story ends with this proclamation.
His creature, upon discovering the death of his creator, is overcome by sorrow and guilt and vows to commit suicide by burning himself alive in "the Northernmost extremity of the globe;" he then disappears, never to be seen or heard from again.
Assembled from corpses and jolted to life, Frankenstein's Monster is many things—intelligent, sensitive, immortal—but mostly, he's a patchwork man seeking his place in the world.
Frankenstein is More Horrific Than You Might Think | Monstrum
Did Frankenstein's monster turn evil?
The Monster turns to evil after being cast out from his "family." Frankenstein has caused evil, in part, because, "In his obsession, Frankenstein has cut himself off from his family and from the human community; in his reaction to that obsession, Frankenstein cuts himself off from his creation" (Levine 92).
He takes the lives of Clerval and Elizabeth-- both innocent victims. The monster intensely desires to be a part of society and if the only way he can participate in society is to indulge in evil, then he will. Thus, the being truly becomes the monster that society had feared from the start.
Later, the monster boards the ship, but upon finding Frankenstein dead, is overcome by grief and pledges to incinerate himself at "the Northernmost extremity of the globe". He then departs, never to be seen again.
I have myself been blasted in these hopes, yet another may succeed. These are Frankenstein's last words. Throughout his conversations with Walton, he has warned Walton about the dangers of ambition, but at the last moment he takes his warning back.
In the novel, the villain is Victor Frankenstein with no doubt. He tried to play God by creating a creature and then left it on its own. Being ambitious is commendable, but being over ambitious is reprehensible. Frankenstein was extreme with regard to his passion and ambition.
Pierce's decision to paint Karloff's skin a greyish green was a conscious choice to play on these limitations, distinguishing the monster from the rest of the cast by giving him a skin color that would be captured as a ghostly white on film.
Yet several generations later Mary Shelley's monster, having resisted his creator's attempts to eliminate him in the book, is able to reproduce himself with the variety and fertility that Frankenstein had feared.
In the novel he is never given a specific name, that's why he is just called “the creature”, “the monster”, “Frankenstein's creature” or “Frankenstein's monster”, some argue that he dubbed himself “Adam” and recognized himself as Victor's son making him Adam Frankenstein, but even that is spurious, he does not get the ...
Frankenstein's hatred of him is to be “expected,” he says, not because of the murder, but because the Monster is “wretched” and “miserable.” The Monster's first utterance sums up his story as he sees it, but it also demonstrates his skill with language.
In the final scene, Elizabeth is married to the Monster, who has been made into a stock market genius by having Frederick donate a portion of his own brain.
When the creature comes to life, Frankenstein is so afraid of him that he abandons him, thus forcing the creature to learn about the world on his own. The creature feels deeply betrayed by his creator and ends up trying to get revenge on him.
(Shelley 35) Victor's desire for the creature to have beautiful features fails, resulting in the creature's ugly “watery eyes” and “straight black lips” (35). Additionally, though “his hair was of a lustrous black, and flowing,” something that could be understood to be beautiful becomes something ugly.
The monster is Victor Frankenstein's creation, assembled from old body parts and strange chemicals, animated by a mysterious spark. He enters life eight feet tall and enormously strong but with the mind of a newborn.
The ending is plain and simple, every person that Victor Frankenstein had cared about met a tragic end, including himself. This shows that we as beings in society should believe in the sanctity of human life.
In the novel, the Monster was a vegetarian, eating berries, nuts, roots, leaves, bread, cheese, and milk, although he detested wine (In the Universal canon, the creature enjoyed alcohol and smoking). Later, however, he killed a hare for Frankenstein to eat.
As we reread Mary Shelley's Frankenstein at two hundred years, it is evident that Victor Frankenstein is both a mad scientist (fevered, obsessive) and a bad scientist (secretive, hubristic, irresponsible). He's also not a very nice person. He's a narcissist, a liar, and a bad "parent." But he is not genuinely evil.
Victor Frankenstein is nearly thirty-eight years old when he dies, according to the novel. The main character's death is briefly described in the last chapter. The author gives more attention to the monster, who cries over Victor's body. It discloses their real relationship, which shall be noted by readers.
In Frankenstein; or, The Modern Prometheus by Mary Shelley, Doctor Victor Frankenstein stands out as neither a hero nor a villain; he is something in between. Some actions of Doctor Victor Frankenstein are heroic, while some of his deeds are heinous.
