She is diplomatic and tries to help her subjects with their problems. On the other hand, Elsa's fear of herself led to several other problems, like her anxiety and overprotectiveness. Elsa constantly fears rejection from others and has always wanted to find the source of her powers.
These strong female characters certainly have their weaknesses; they wouldn't be very interesting characters if they didn't. Elsa can be distant to the people she loves, she has trouble accepting help, and she fails to recognize her own limitations.
One of Elsa's biggest problems in Frozen was her inability to control her powers. "Let It Go" showed her slowly learning to let loose and embrace her abilities, and by the end of the film, she was able to take back her unending winter.
Elsa fears she will not be accepted by her sister or her town. This feeling worsens as her parents pass away. Now with no one having knowledge of her powers the pressure increases for her to stay hidden. As she becomes required to attend her coronation, she begins overthinking how she will keep her powers hidden.
Although Elsa's disability is encoded as a magical ice power, the language the film uses to talk about her condition maps on to the experiences of people with physical, mental, and intellectual disabilities in recognizable ways.
Basically, Elsa calls it a curse because she sees it as one, but it isn't; she was born with it. I think elsa inherited her powers from someone such as a grandfather, who was cursed with ice powers( notice the book).
In the movie The Little Mermaid (Clements & Musker, 1989), Ariel displays symptoms of disposophobia, which is defined as the fear of getting rid of things.
And while Elsa has PTSD, Anna suffers from a similar, yet very different, ordeal. Hit in the head by ice, and then mind-wiped, Anna has a lack of coordination, lack of balance, an extremely overly-impulsive attitude, poor judgement, compulsive behavior, and lack of memory. Anna has a traumatic brain injury.
The film covers deep and heavy topics unknown to Disney princess films. The first Frozen broke the Disney formula by sharing “true love” doesn't need to be romantic. The second film addresses loss, grief, depression, and how to find hope and personal growth through life's uncertainties.
Elsa is the hero in Disney's animated sensation Frozen, but the original idea for the movie had her as the villain - with a very different look. Disney's Frozen originally had plans to make Elsa the villain of the story and give her an entirely different look.
In Frozen 2, Elsa spends most of her journey traveling with her “Let It Go” braid, but as she gets closer to Ahtohallan and her physical and emotional challenges become more steep, she first lets her hair down into a ponytail, then ultimately undoes it altogether for “Show Yourself,” emphasizing her ultimate ...
Elsa's death in Frozen 2 is the result of her going "too far" into the Ahtohallan and being overwhelmed by the magic — in other words, she "drowned" in it. The symbolic explanation for why Elsa froze is more straightforward. Elsa freezes in response to the trauma of discovering her family's colonial past.
Princess Anna from the Frozen films is optimistic and overenthusiastic, but can also be naive and overprotective. Realistically, she has a series of good and bad personality traits that inform her actions. Due to being raised alone, Anna overflows with kindness and the desire to make friends with everyone.
With only a fruitcake, Olaf journeys into the woods, and is attacked by vicious wolves while traversing through. He narrowly escapes them, but loses the fruitcake shortly thereafter to a hawk. Depressed at having failed Anna and Elsa, Olaf wanders into the night, depressed, and figures it would be best to remain lost.
Canonically, Elsa of Arendelle, who sits upon the tiny northern kingdom's throne at the end of Frozen, is not queer. Canonically, she is not romantically interested in anybody. And lest you wonder if that description means Elsa is asexual or aromantic, neither of those qualities is canon either.
Elsa, however, is risk-averse, anxious, and self-doubting. This is her biggest test. She must accept her crown and scepter with ungloved hands. Should she slip up or let her emotions overwhelm her, she may let the magic out, revealing who she really is.
Even the smallest of details point towards Ariel being autistic, such as her toe-walking and her discomfort in human clothes, a struggle that resonates with autistic people all around the world.
Dora is far from simply a case of hysterical neurosis, but her pathology not only reflects the dynamics of the paranoid process, but also falls within the range of the borderline spectrum of personality disorders that have been described previously (Meissner 1982b.).
Her backstory changed often, but the most common one was that she was a mischievous rebel as a child, who was ostracized due to her behavior and powers. Her hatred of humanity would come to a head when she was left at the alter, causing her to run away and create a kingdom of ice with an army of snowmen.
The palace's ambiance also responds to how Elsa feels about herself - when Elsa is happy and empowered, the palace is blue; when Elsa is embracing herself, the palace is purple; when Elsa is fearful, the palace becomes red, and causes ice shards and cracks to appear throughout the wall; when Elsa is angry, the palace ...
From a positive perspective, Elsa was born with powers because the spirits wanted to honor Iduna's actions, but from the opposite viewpoint, the spirits may have given Elsa uncontrollable ice magic as punishment for the actions of Agnarr's father, King Runeard, who killed the Northuldra leader and built a dam to ...
