In Bret Easton Ellis' American Psycho, the protagonist, Patrick Bateman, is apparently simply a psychopath. However, Bateman can be diagnosed with other mental illnesses such as Asperger's syndrome, obsessive-compulsive disorder, schizophrenia, narcissism, and antisocial personality disorder.
Despite his affluence and high social status, Bateman is constantly plagued by unsettling feelings of anxiety and low self-esteem. He kills many of his victims because they make him feel inadequate, usually by having better taste than he does.
Patrick Bateman is an unhealthy ENTJ personality type. He is determined to get what he wants and will step over anyone who gets in his way. Healthy ENTJs aim to achieve their goals in an ethical way, but for unhealthy ENTJs, morals go out of the window.
In entertainment, the disorder has been misrepresented in characters like Monica from Friends and Adrian from Monk. Patrick Bateman's psychopathy also shows up with his OCD as his thoughts directly impact his behavior, which he seems to not be in control of either despite his consciousness in murdering people.
INFJ. The INFJ personality type is the undisputed top 1 rarest personality type in the general population coming in at just 2%. INFJs are especially rare among men with only 1% of men qualifying as this personality type. It is slightly more common in women at around 2%.
This, combined with sex, violence, drugs, and other desires of the id, is how Bateman enacts his sociopathic violence in a superficial world. Bateman's episodes of schizophrenia also shows clear signs on how he copes with being an affluent person living in a superficial world, fashioned on consumerism.
In Bret Easton Ellis' American Psycho, the protagonist, Patrick Bateman, is apparently simply a psychopath. However, Bateman can be diagnosed with other mental illnesses such as Asperger's syndrome, obsessive-compulsive disorder, schizophrenia, narcissism, and antisocial personality disorder.
It's made clear there is no "top" to Bateman. There is only becoming more successful than the previous day. Therefore, Bateman would be a Sigma in that regard. In American Psycho's first act, Bateman makes it known to his fiancée that he wishes to conform to society as best he can, unlike his other roles.
Toxic masculinity is depicted in American Psycho through its destructive aspects. In the movie, Patrick Bateman is the main character who portrays destructive aspects of toxic masculinity.
He displays a high functioning form of Asperger's syndrome, yet there are still symptoms present in Bateman of which even the highest functioning people with Asperger's syndrome cannot rid themselves. One of the key symptoms in Asperger's syndrome is the need for strict routine.
James Dean. Arguably one of the most iconic rebels of all time, James Dean was a Sigma Male before the term even existed. He was a talented actor who didn't conform to Hollywood norms.
While it's true that Patrick is experiencing delusions and hallucinations, it doesn't mean that the murders are in his head. Turner blames the muddiness of the ending on the dichotomy between the fantasy world that Bateman is currently living in and the reality of the murderous situation at hand.
TL;DR: Patrick Bateman has a mental disorder caused by lifelong conflict-of-interests with his father. He doesn't actually kill anyone in the film; all the murders take place in his sleep, but they're vivid enough dreams that he can't separate them from reality.
The psychopathology Arthur exhibits is unclear, preventing diagnosis of psychotic disorder or schizophrenia; the unusual combination of symptoms suggests a complex mix of features of certain personality traits, namely psychopathy and narcissism (he meets DSM-5 criteria for narcissistic personality disorder).
Bateman and his friends are also heavy drug users. Early in the novel, Bateman's cocaine use is largely social, but he later does more and more of the drug and his attitude towards it become increasingly aggressive. Bateman begins taking pills, too – downers like Halcion, Valium, and Xanax.
American Psycho explores the inherent violence of corporate greed, using Patrick Bateman's sadistic acts as a metaphor for the callousness of Wall Street. The film's ambiguous ending signifies Bateman's moral awakening, as he tries to hold himself accountable for his actions while those around him remain indifferent.
Although Manhattan is a real place, American Psycho is a work of fiction and imaginary locations in the city are part of the story. An imaginary space is a space that is figurative, like a city in a book. To say that a space is imaginary is not to deny its relation to reality.
As the camera slowly zooms into Patrick's eyes, Patrick delivers his chilling final monologue as a voiceover in which he realizes that his crimes have gone unpunished and his confession has meant nothing.
Patrick Bateman does not exist physically but rather is the narrative occupying the minds of all the characters we see and this is alluded to numerous times. The opening dialog itself states "I simply am not there" which was timed so it's said when he peels off the mask.
Side 1 is how Patrick sees himself and believes how the rest of the world sees him. He thinks he's the greatest person to ever grace the planet and is capable of anything he wants from a wild threesome (or 2) to being able to write a book about popular music.
Bateman resents Allen for his affluent lifestyle and ability to obtain reservations at Dorsia, a highly exclusive restaurant which Bateman cannot get into. He gets Allen drunk, lures him to his apartment and kills him with an axe while listening to Huey Lewis and the News and lecturing Allen on the merits of the band.
Whose head is in Patrick Bateman's fridge? The woman who he picked up in the previous scene at the club with Bryce, where he did the cocaine in the back room.
'Feed Me A Stray Cat' Scene | American Psycho - YouTube. Patrick Bateman (Christian Bale) attempts to murder a cat after following the instructions of an ATM, which leads to more killings.
In terms of dominance level, the sigma male should appear second, below alpha. However, Beale and other members of the masculinist subculture agree that sigmas' rightful place is outside of the hierarchy, because of their unique attributes resembling a balance of positive alpha and beta male traits.
Alphas are at the very top of the male socio-sexual hierarchy while sigmas don't have a fixed place within the hierarchy. Alphas tend to be more extroverted, traditional, and aggressive while sigmas usually keep to themselves, think outside of the box, and have a calm disposition.
