Why Does Cruella Give A Dalmatian Puppy To Roger? Cruella's credits scene sees her give the Dalmatian pups - Pongo and Perdita - to Roger and Anita, respectively. It makes some sense that she would give one to Anita: Cruella isn't exactly blessed with a lot of close friends.
In 101 Dalmatians, Cruella wanted to purchase Perdita and Pongo's Dalmatian puppies because she was a selfish heiress who viewed the puppies as a fashionable commodity to be exploited rather than as innocent living beings.
But what makes her want to turn them into fur coats? In the end-credits scene, Cruella's gifting of Pongo and Perdita seems like heartfelt thank-you to two friends who helped her achieve her goals. It suggests Cruella's feelings about Dalmatians have changed, as she gives two innocent puppies to loving homes.
As the gang faces hardship, it's their love and devotion that keeps them together, like a pack of dogs. In contrast, the Baroness's Dalmatians are used as a status symbol.
According to Gillespie, dalmatians were especially hard to work with because their attention span was limited and they became rather rambunctious and fidgety when in a scene with other dogs.
Film Theory: Was Cruella ACTUALLY Wrong? (101 Dalmatians)
Did the baroness know Cruella was her daughter?
The Baroness figured out that Cruella's real identity is Estella, which leads to the Baroness and her henchmen locating her hideout and capturing Jasper and Horace. Baroness attempts to murder Cruella in a fire, to pin the latter's death on Jasper and Horace, while sending the duo to prison.
Cruella comes to visit and feels that Anita just sending the sketches of her designs because she is on leave from work isn't the same as the interaction they had together. She mocks Roger for his job and for starting a family which makes his respect for her, turn to hatred.
In the 1961 animated original film, the fashion-obsessed heiress was usually seen clutching a cigarette and holder as sickly green smoke wafted behind her. When asked why the wardrobe statement piece was intentionally left out, Stone attributed it to evolving opinions about smoking within the past 60 years.
Cruella begins with Estella as a child with black and white hair, something that she was born with due to a disease called poliosis. The condition is caused by a decrease or absence of melanin in the hair on the body, typically resulting in a white streak or splotches in someone's hair.
Dalmatians have been used throughout history for serious work. They have been sentinels on the borders of their homeland of Dalmatia and Croatia during wars. They worked as shepherds, as draft dogs, as hound dogs, as hunting dogs, as retrievers and as performing dogs.
Though Jasper and Horace carry out Cruella's deeds, they only do it for money and not for enjoyment. Horace fears her wrath, but Jasper shows no respect for Cruella due to often being annoyed with her bossiness. This makes Cruella despise Jasper more than Horace.
Cruella's post-credits scene features Roger (Kayvan Novak), the Baroness' former lawyer, who now seems to be pursuing a full-time career as a pianist. The scene cuts to Anita Darling (Kirby Howell-Baptiste), Cruella's childhood friend and now-turned gossip journalist who helps promote her new persona in the movie.
Their parents, Pongo and Perdita, set out to save their puppies from Cruella, in the process rescuing eighty-four additional ones, bringing the total of Dalmatians to one hundred and one.
You might even find yourself enjoying the movie, before remembering that the inciting action and entire motivation for the story is that Cruella's mother was pushed off a cliff by some CGI Dalmatians. Yes, that is the reason Cruella de Vil hates Dalmatians.
She is an eccentric, fashion-obsessed heiress who wishes to use the skins of 99 Dalmatian puppies to create a spotted fur coat. Regarded as a "witch" and "devil woman", Cruella's infatuation with furs drives her to murderous insanity.
The first thing Disney did to make Cruella a redeemable character was to portray her as having dissociative identity disorder (sometimes called multiple personality disorder). The movie tracks the life of Cruella's alter ego, Estella, a rambunctious young prodigy with an eye for style (played by Emma Stone).
In Disney's original animated “101 Dalmatians” from 1961, Cruella de Vil is an evil woman in her sixties whose goal is to kill and skin the Dalmatians for their fur as a new fashion statement.
It is not until the end Cruella reveals her true personality, a violent, careless, murderous, destructive, and downright evil psychopath, after the dalmatians escape, she becomes nearly insane and preposterous, so she goes on a rampage trying to retrieve the dogs but accidentally crashes the car she was driving.
Ever since her debut in Dodie Smith's novel, there have been many films and shows that have showcased the character Cruella de Vil. She appeared in 101 Dalmatians, the 1961 animated film by Walt Disney, where her character was voiced by Betty Lou Gerson.
She is a wealthy and glamorous fashion designer who becomes obsessed with obtaining a coat made from the fur of Dalmatian puppies. Cruella is depicted as a cruel and heartless character who is willing to harm innocent animals to satisfy her own desires.
Cruella's Story Becomes a Mission of Revenge Rather than Greed. With an evil desire to be clothed in the fur of baby dogs as her one character trait, the original Cruella was merely an entertaining, creepy villain. Stone's Cruella doesn't have any dark instinct to kill Dalmatians and wear them.
Perdita gets pregnant, and so does Anita. Cruella visits their home and gets excited when she finds out Perdita is expecting too. Weeks later, she returns when a litter of 15 puppies are born and offers Roger and Anita £7,500 for them, but they refuse.
Ultimately, though, she becomes Cruella permanently after framing the Baroness for the murder of Estella. So, when her friend Horace notices the car they're driving is called a de Ville, Estella realizes she's found the perfect last name for Cruella, and the ascension of Cruella de Vil is complete.
During her efforts, Estella learns that the Baroness is, in fact, her biological mother; she intended to have her baby killed after birth, but her valet John gave the baby to Catherine, who was a maid in the house at the time.
