Now the creature, famously, is not given a name by Victor Frankenstein upon his creation. He is rejected and cast out, a fact which he laments later in the novel. But even through he doesn't have a first name, the very fact that his creator is named Frankenstein would, likely, make his last name Frankenstein.
Why does the creature in Frankenstein have no name?
Victor's refusal to name the beast symbolizes his complete rejection of his creation. The monster does not call himself because he feels that he is different from humans and cannot relate to them. Being rejected by his creator and excluded from society, he does not have anyone who would care for him to give him a name.
Mary Shelley's original novel never gives the monster a name, although when speaking to his creator, Victor Frankenstein, the monster does say "I ought to be thy Adam" (in reference to the first man created in the Bible).
Why do we call Frankenstein's monster Frankenstein?
In German, the name Frankenstein translates to “stronghold of freemen,” most likely referring to various castles and battlements around the country that also carry the name. Mary Shelley however, believed the name came to her in a vivid dream. In Shelley's novel, Dr. Victor Frankenstein never names his creation.
He did realize that his actions were wrong, yet he did nothing in attempt to right them. In this way, it is arguable that Victor was not completely a monster, as he still felt the natural human emotion of guilt.
Victor's hallucinations are so powerful that he can even feel the monster attacking him. The fact that Victor suffers from hallucinations and is socially withdrawn point to him having paranoid schizophrenia. There is one more symptom that is common among schizophrenics, and that is delusions.
Victor Frankenstein is the protagonist of Frankenstein. His goal is to achieve something great and morally good, which will secure him a lasting reputation. In pursuit of this goal, he creates the Monster, but his pursuit of his goal also causes his conflict with the Monster.
In “'Passages' In Mary Shelley's Frankenstein: Toward a Feminist Figure of Humanity?” Pon discusses the idea of masculine creation outside of the influence of the feminine. She contends that the monster, as a creation, is strictly masculine without the influence of the feminine.
Pierce's decision to paint Karloff's skin a greyish green was a conscious choice to play on these limitations, distinguishing the monster from the rest of the cast by giving him a skin color that would be captured as a ghostly white on film.
The creature is intelligent and is able to speak and reason, yet is not recognized as a human by society. He is able to voice his concerns, but due to the way he looks he cannot be considered human and is therefore denied the rights of man. This means he is unable to defend his crimes as a human normally would.
He even claims that he has committed the murders that have been, in reality, done by the monster because he remarks he is “not indeed, but in effect was the true murderer” (Shelley 72). These are the clear indications that the monster is his mirror, alter ego, the other side, and the double goer.
Elizabeth Frankenstein (née Lavenza) is a fictional character first introduced in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. In both the novel and its various film adaptations, she is the fiancée of Victor Frankenstein.
However, after being outcasted and mistreated by humanity, he would become obsessed with getting revenge on his creator for his abandonment. Since his creation in 1816, Frankenstein's Monster has become recognized as one of the most tragic villains in fictional history, and a pivotal character in horror fiction.
(Shelley 35) Victor's desire for the creature to have beautiful features fails, resulting in the creature's ugly “watery eyes” and “straight black lips” (35). Additionally, though “his hair was of a lustrous black, and flowing,” something that could be understood to be beautiful becomes something ugly.
“He was apt to cut the top of the skull straight across like a pot lid, hinge it, pop the brain in and then clamp it tight,” Pierce told the magazine. “That's why I made the monster's head square and flat like a shoebox and added that big scar across the forehead with the metal clamps to hold it together.”
The question of why the Creature is yellow is a popular one in Frankenstein scholarship. At birth, the Creature is described as jaundiced, possessing a “dull yellow eye” and “yellow skin”—an allusion to the very common condition of neonatal physiologic jaundice (81).
The Monster turns to evil after being cast out from his "family." Frankenstein has caused evil, in part, because, "In his obsession, Frankenstein has cut himself off from his family and from the human community; in his reaction to that obsession, Frankenstein cuts himself off from his creation" (Levine 92).
In Mary Shelley's novel, the creature demands a mate from his creator. He argues Frankenstein owes him a companion of sympathy, one who will feel his pain because she too is deformed: “You must create a female for me, with whom I can live in the interchange of those sympathies necessary for my being.
Assembled from corpses and jolted to life, Frankenstein's Monster is many things—intelligent, sensitive, immortal—but mostly, he's a patchwork man seeking his place in the world.
In the novel, the villain is Victor Frankenstein with no doubt. He tried to play God by creating a creature and then left it on its own. Being ambitious is commendable, but being over ambitious is reprehensible. Frankenstein was extreme with regard to his passion and ambition.
Victor Frankenstein is nearly thirty-eight years old when he dies, according to the novel. The main character's death is briefly described in the last chapter. The author gives more attention to the monster, who cries over Victor's body. It discloses their real relationship, which shall be noted by readers.
The leading character of Mary Shelley's book, Dr. Victor Frankenstein, was renamed Henry for the movie because it was decided Victor would sound too "severe" and "unfriendly" to American audiences at the time.
Throughout the novel, Victor Frankenstein undergoes a great amount of psychological trauma during his early adult life. At the age of seventeen, he suffers from the loss of his mother, and the traumatic effects of her death are what lead him to create the creature.
