Post-revolutionary Iranian cinema has been celebrated in many international forums and festivals for its distinct style, themes, authors, idea of nationhood, and cultural references.
A wide range of Iranian movies have drawn global audiences for their depictions of social realism and portraying forlorn people trapped between the demands of tradition and modernity. The tension in narratives swings between personal aspiration and social conformity embedded in a larger political and religious subtext.
The global staging of Iranian film offered some of its best works international attention, a crucial component that fed back, aesthetically and thematically, into the country's cinematic repertoire and inspired successive generations of Iranian film-makers.
Between the mid-1960s to the end of the twentieth century, the 'New Wave' in Iranian cinema was significantly responsible for aesthetic innovation. It is widely considered to be a golden period in contemporary Iranian cinema, during which Iranian movies dominated the Middle Eastern film industry.
What was the impact and result of the 1979 revolution on the Iranian film industry?
The revolution (1978–1979) had a profound impact on Iranian arts. Films came to be viewed as products of the West and consequently were banned, and many theatres were burned down. Slowly, in the early 1980s, film production began again, but there was heavy censorship imposed on both production and exhibition.
How did the movies in Iran change after the revolution?
However, following the Revolution in 1979, a few filmmakers and actors went into exile per new governmental regulations. Between 1979 and 1985, about 100 features were released. While Khomeini's censorship remained, the small number of features produced focused on sexual display and European influence.
The revolution also led to the replacement of the Imperial State of Iran by the present-day Islamic Republic of Iran, as the monarchical government of Mohammad Reza Pahlavi was superseded by the theocratic government of Ayatollah Ruhollah Khomeini, a religious cleric who had headed one of the rebel factions.
What country has the most successful film industry?
United States. The cinema of the United States, often generally referred to as Hollywood, has had a profound effect on cinema across the world since the early 20th century. The United States cinema (Hollywood) is the oldest film industry in the world and also the largest film industry in terms of revenue.
The Iranian Revolution was the Shia Islamic revolution that replaced the secular monarchy of Shah Mohammad Reza Pahlavi with a theocracy led by Ayatollah Ruhollah Khomeini.
What was the cause and effect of the Iranian Revolution?
The major cause of the Iranian Revolution of 1979 was the government's inability to satisfy the rising expectations of the Iranian people—especially following the sudden enormous increase in the price of oil in 1973.
Iran (pronounced ee-RAHN), formerly known as Persia, is situated at the crossroads of Central Asia, South Asia, and the Arab states of the Middle East. This strategic position—and its access to the Persian Gulf in the south—have made Iran an important country throughout its history.
Its outset is generally accepted to have begun around 1900, when Mirza Ebrahim Khan Akkas Bashi, the official photographer of Muzaffar al-Din Shah, shot the first Iranian documentary. Despite this relatively late start, Iranian cinema caught up to the West and developed a lively film industry.
The mineral industries encompass both refining and manufacturing. The extraction and processing of petroleum is unquestionably Iran's single most important economic activity and the most valuable in terms of revenue, although natural gas production is increasingly important.
What was the Iranian film industry like before the revolution?
The majority of production focused on melodrama and thrillers. From 1937 till 1947 because of the world economic conditions and then the involvement in World War Two, the motion picture industry in Iran did not produce a single film, but the flow of foreign film to Iran did not stop.
The top place goes to the Icelanders. The cold country of 330,000 residents visits on an average 4.3 times to a cinema hall in 2018 for watching a film. Next to them (again a surprise entry) are the South Koreans who visit 4.2 times a year.
The UGC Les Halles has become the most frequented cinema in the world, ahead of the Burbank in Los Angeles and the Showcase Bluewater, located in southeast London.
Opinion Survey Reveals Overwhelming Majority Rejecting Iran's Regime. An opinion survey involving 158,000 people in Iran showed that more than 80 percent of respondents reject the Islamic Republic and prefer a democratic government.
In the decades before the Islamic revolution of 1979, Iran was ruled by the Shah, whose dictatorship repressed dissent and restricted political freedoms. But he also pushed the country to adopt Western-oriented secular modernization, allowing some degree of cultural freedom.
Iran forbids women from traveling without the consent of her husband. According to article 18 of the Passport Law passed in 1973, a husband can ban his wife from leaving the country. A woman is required by Iranian law to have the permission on her husband before she can leave the country or obtain a passport.
Which is the 2nd largest film industry in the world?
What is Nollywood? With an annual output of nearly 2,500 films, Nigeria's Nollywood is the world's second-largest film industry, right behind India's Bollywood.
What is the fastest growing film industry in the world?
At over 2,500 films each year, Nollywood is only surpassed in size by Bollywood as the biggest global film industry. Although Nollywood mostly refers to movies shot in Nigeria, it also includes films spoken in English, shot in Ghana or in the United States and elsewhere.
The global film industry could be divided between two broad categories: producers and earners. Historically, Asian countries accounted for most of the movies made worldwide. Four of those nations – India, China, Japan, and South Korea – are among the top five producers, along with the United States.
The ideology of the Iranian Revolution has been called a "complex combination" of Pan-Islamism, political populism, and Shia Islamic "religious radicalism"; "a struggle against paganism, oppression, and empire.
In Iran, it was widely seen as an act against the U.S. and its influence in Iran, including its perceived attempts to undermine the Iranian Revolution and its longstanding support of the shah of Iran, Mohammad Reza Pahlavi, who was overthrown in 1979.
Accordingly, the purpose is exporting the revolution as a culture, ideology and an intellectual and epistemological method. Exporting the Islamic Revolution, in Khomeini's view, meant the export of the teachings and experiences of the Iranian Revolution to other nations for their liberation from the colonial powers.
